The producers of the show are idiots not the creative team.If you are given the money and the opportunity to realize your dream you cant say that you would not take it?
Plus its not like they new is was going to flop, didn't this show get good notices during its run at the Signature
Namo i love u but we get it already....you don't like Madonna
just goes to show that NEW YORK is an entirely different monster.
Bert -- I'm not sure! at least with CRY-BABY, Thomas O'Donnell is a proven writer and is rather brilliant (not at his best with C-B). and even though the composers are new, they've been in the "business"
why should we let these young kids slide? it's everyone's fault. not just the Producers. they should have made some changes during Previews and they really didn't. that's their fault. Updated On: 5/6/08 at 08:09 PM
And yes lots of shows get great reviews out of town and not great ones in NY, thats why we have flops, it doesn't mean that the creative team thought the show was unready to deliver to NY
Namo i love u but we get it already....you don't like Madonna
No, love. There are TONS of regional shows that do well with critics. Why are they not all on Broadway? The hit in Nowhere, Virginia will never instantly translate into Broadway smash.
Listen, I don't take my clothes off for anyone, even if it is "artistic". - JANICE
AP NEW YORK - "Glory Days" is an eager pop-rock musical examining past, present and future — as seen through the eyes of four best friends, a quartet of guys who have returned home after their first year of college.
"Y'know, I think Bertolt Brecht was rolling in his grave."
-Nellie McKay on the 2006 Broadway production of The Threepenny Opera, in which she played Polly Peachum
WithoutATrace - I plotzed when you mentioned HOME SWEET HOMER! I saw that turkey! It was so dreadful but I'm thrilled I saw it. One of the great legendary bombs!
I saw this show and actually ENJOYED it. some parts were a little boring, but IMO, it was an alright show. i feel bad for everyone right now! i mean sure that's not what the buisness is all about, you gain some and you lose some. I guess this show just wasn't ready for Broadway. some reviews are funny, but i think they are HARSH. It's their FIRST show and well, I just hope them getting bad reviews won't affect their future in writing. Hopefully the rest they get won't be..bad.
Kalimba - It's really hard to take your comment seriously when your avatar is of one of the worst pieces of trash to grace the Broadway stage in the past decade or so.
blaxx: im not sure youre microsoft analogy is apt (unless youre like a middle manager in the technology industry or something).
these producers didnt ask bus drivers to be rocket scientists, they asked fledgling writers to come to broadway (cue jerry orbach bellowing, "Allentown?!?!?"). the proximity makes the temptation a bit more irresistible, imho.
and, fwiw, after the hash microsoft made of their bid(s) for yahoo, they could probably use you at the top!
Can't wait for the soothing words of my beloved Matthew Murray, who fills my world with his love and theatrical compassion.
The man liked IN MY LIFE...
"Y'know, I think Bertolt Brecht was rolling in his grave."
-Nellie McKay on the 2006 Broadway production of The Threepenny Opera, in which she played Polly Peachum
I think the NEXT TO NORMAL comment is interesting, opening a new untried show in a smaller venue makes more sense, because it's cheaper and you get a sense of what the New York audience is gonna think of it.
I am glad that (title of show) is taking it's time, but I do believe it could have taken this theatre this season and blown the other new shows away.
What a downer for the final musical of the season.
Should be an interesting evening of revue reading.
whatever2, I was just trying to say that the fact the opportunity came up does not mean they HAD to take it. Some posters make it sound that anyone who had the opportunity to be on Broadway would take it, and that sounds terribly off.
Listen, I don't take my clothes off for anyone, even if it is "artistic". - JANICE