> Ultimately, though, they have done this little, hopeful show no favors by dragging it into a spotlight that invites close and unforgiving inspection. I do find it heartening that a pair of enthusiastic and gifted young artists have fallen in love with that beleaguered form, the musical, as a means of self-expression.
Judging from most reports, it seems like this show just wasn't the type of theatre that should be on Broadway. There's absolutley nothing wrong with that but maybe they should have re-tooled the show a bit, and then opened it on Off-Broadway. Hopefully the writers will take this as a learning experience. But looking on the bright side( I know it's hard) how many young writers get the chance to have their show open on Broadway? It must be a thrilling experience to be able to have your work open in New York, even if the public and the critics find it to be a less than good. I'm sure they'll bounce back with a better show.
EDIT: I also thought that Brantley was unusually kind in his review. He stated the faults of the show, but at the same time complemented the writers, calling them "enthusiastic and gifted". He was WAY nicer reviewing this show than Cry-Baby!
"You drank a charm to kill John Proctor's wife! You drank a charm to kill Goody Proctor!" - Betty Parris to Abigail Williams in Arthur Miller's The Crucible
Still I wont see this show or CRY-BABY...I'd rather see BETRAYED! From now on...I will only see shows with rave reviews...I am wasting so much $$ & time (commuting) just to see craptacular after craptacular on Broadway!
It is looking more and more as if CRY BABY and GLORY DAYS will go un-recorded this season.
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
blaxx: that was an olive branch ... surely someone so enlightened recognizes one when s/he see it?
And what part of Brantley's quote you think disagrees with me? The show can be promising, have heart, energy, talent. I never said it didn't. Did they take it to the wrong place at the wrong time? Yes - he says that, I said that.
Listen, I don't take my clothes off for anyone, even if it is "artistic". - JANICE
Wow, I never thought I would live to see the day when Word of Mouth gives a harsher review than Ben Brantley.
Word of Mouth REALLY didn't like it -- Matt says the cast is "lukewarm" and "mediocre," Ellen says the show is "tepid" and "inconsequential," that she "lost an hour and a half of her life," and "the only positive thing about this show is that there was no intermission so that you went straight right through it and you were done." The best Georgette can say is, "It's not that I hated it..." Has Word of Mouth ever panned a show so ferociously? I can't think of a single Word of Mouth review that has been so harsh, let alone having all three be so negative.
"What was the name of that cheese that I like?"
"you can't run away forever...but there's nothing wrong with getting a good head start"
"well I hope and I pray, that maybe someday, you'll walk in the room with my heart"
I'm a little surprised at how SAFELY Brantley wrote this review. The GLORY DAYS boys should consider themselves lucky Ben left his mighty-bicuspids at home for this one; giving the rookies a break... and leaving his criticism more IMPLIED than specified.
Just to be clear, I am not happy about these reviews.
But Word of Mouth... was hilarious...
Ellen (the one with fantastic hair)
"The only time I didn't like him is when he was singing about having feelings, cause then you're like, 'I don't really want you to have feelings...'"
"The one guy, Andy, was so much like Stifler that it was like watching Stifler in a musical..."
"The one lyric was 'We got the girls by the balls', and I'm just like... (pause) (pause) You gotta be kidding me..."
"Y'know, I think Bertolt Brecht was rolling in his grave."
-Nellie McKay on the 2006 Broadway production of The Threepenny Opera, in which she played Polly Peachum