they sure did...i kinda missed it though...but now the easiest job on broadway goes to the character of ms. lynch...very little stage time, but still a good paycheck :) for me, the best number in the show was "greased lightning"...the guys were great, and it was appropriately choreographed...the standout cast members were marty, frenchy,roger, and sonny, and also steve buntrock as teen angel..i like jenny powers, but i think any actress that plays rizzo,has a tendency to toughen it up too much...hopefully it'll soften as the run goes on
yeah, there was an alma mater song that the cast sings at the beginning, hopelessly devoted was added for sandy, the original song for danny was "all alone at the drive-in" instead of "sandy", and "all choked up" instead of "you're the one that i want"
Oh, sorry, I meant in this production. I'm guessing all four movie songs made it, and the originals were cut? Unless it's David Ian's intention to produce the most redundant musical ever.
They cut Your the One that I want? Why? That is the song everyone wants to hear. It was the name of the show. I think this is a slap in the face to anyone who supported that show.
"you freakin freaks. get a ****in life. theres more to life than this stupid website." stage manager 2
No, GuyDancer was just explaining the changes in the movie. He mentioned earlier that "YTOTIW" was the big finale number. Definitely in the show. It's on every marquee, after all.
I was thinking of maybe doing standing room in a couple weeks...
"I mean, sitting side by side with another man watching Patti LuPone play Rose in GYPSY on Broadway is essentially the equivalent of having hardcore sex." -Wanna Be A Foster.
"Say 'Goody.' Say 'Bubbi.'" ... "That's it. Exactly as if it were 'Goody.' Now I know you're gonna sing 'Goody' this time, but nevertheless..."
I received a text from a friend who was at intermission...
"HORRENDUS!"
Everyone is entitled to their opinion right or wrong. For example, some people LOVE President Bush, which only goes to show how wrong some opinions can be!
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
Please tell me that it is as awful as I always knew it would be! A totally ill conceived project from the get go!
"I've lost everything! Luis, Marty, my baby with Chris, Chris himself, James. All I ever wanted was love." --Sheridan Crane "Passions"
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"Housework is like bad sex. Every time I do it, I swear I'll never do it again til the next time company comes."--"Lulu"
from "Can't Stop The Music"
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"When the right doors didn't open for him, he went through the wrong ones" - "Sweet Bird of Youth"
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"Passions" is uncancelled! See NBC.com for more info.
The set and costume drawings that are on their site look pretty cool. I'm looking forword to seeing it.
"If we don't live happily ever after at least we survive until the end of the week!"
-Kermit the frog"I need the money... it costs a lot to look this cheap!" -Dolly P."Oh please, Over at 'Gypsy' Patti LuPone hasn't even alienated her first daughter yet!" Mary Testa in "Xanadu""...Like a drunk Chita Rivera!" Robin de Jesus in "In the Heights"
"B*tch, I don't know your life." -Xanadu
After that if he still doesn't understand why you were uncomfortable and are now infuriated, kick him again but this time with Jazz Hands!!! -KillerTofu
I have seen middle school productions of GREASE with better direction, choreography, and production value than the muddled nightmare that upchucked itself onto the stage at the Brooks Atkinson tonight.
I don’t even know where to begin.
OK. I’ll start in the middle. “Beauty School Dropout” is being sung to us by the Star Trek Pepsodent Man. He comes out of a space ship, wears all white sequins, and he walks like an Egyptian. No personality. Moves like a robot (clearly intended).
The cast of main characters look like they walked out of a mixed gay bar in 1970. Rizzo SCREAMS dyke. DANNY SCREAMS prithy boy. Not one of the main characters are the least bit traditionally attractive. NOT that that’s a bad thing, but when you are given nothing to cling to but the superficial in a crap production of the most superficial of superficial musicals, you’re going to need some sort of eye candy.
For some reason, every male cast member’s face was DRENCHED in sweat throughout the show. It looks like they each dipped their face into a swimming pool before coming onto stage for each scene. And no, the sweat was not a result of busy choreography--
You know how Jerry Mitchell’s choreography for LEGALLY BLONDE was seen as a step backward from the lively, eye-catching dance moves that we’ve become so used to? Well, Kathleen Marshall completely drops the ball here, offering us Choreography -101. It is dull and so JUST LIKE everything you’ve seen in every grade school production of GREASE, only more mechanical.
Osnes is wonderful with the small amount of stage time she has. She gives a gorgeous rendition of “Hopelessly Devoted To You” mid-way through the show.
Crumm lacks charisma, charm, personality, coolness, and suavity. He sings OK.
Jenny Powers is a standout as Rizzo.
An excruciating waste of time, money and energy. I don’t know WHAT Kathleen Marshall is thinking. The last revival was 100 times better than this minimalist (cheap, empty) mounting.
The Brooks Atkinson is an AWFUL space for a big musical like this. There’s no room for anything on that stage. Yet the lack of substantial set pieces make it look practically bare.
I’d say that they have work to do, but I can’t imagine anything that can be done at this point with the opening in less than a month.
If this is what Marshall’s vision is, she’ll just have to accept what the critics are going to spew out.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
"You just can't win. Ever. Look at the bright side, at least you are not stuck in First Wives Club: The Musical. That would really suck. "
--Sueleen Gay
I'll also note that until tonight, I had never been in a single enclosed space with so many tourists at one time since I first moved to NYC four years ago. Crunching, munching, “WOO!“ing, talking, shuffling, kids whining. Yes, the audience was more touristy than your average Saturday matinee at MAMMA MIA! The dress code ranged from shorts and a Homer Simpson t-shirt to evening gowns.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)