I didn't see Violet of those four yet, so I can't add that to the mix.
I couldn't connect with Act One for some reason, just didn't understand why I was meant to care, despite it being seemingly well-written and having its impressive, twirling set and agreeable cast. I even looked up Moss Hart online when I came home afterward, to try and sort out whether I was seeing the origin story of someone I knew from later works not covered in the piece, and I didn't. Heh. (I did think Shalhoub sounds exactly like Rylance's Olivia in one of his roles, but that was amusement for the wrong reason)
Emotionally, I would steer toward Casa Valentina, since there is something aching about people who can't feel comfortable with themselves, and what we have to do sometimes to try and achieve that comfort.
All The Way I didn't care for as much as a story, but Cranston did such a tour de force job, it was certainly impressive. And for its rather longish length, it did sail by, so it was less that the book was flawed, just that I didn't care for the history they were exploring more than the history Casa was exploring.
So, I guess I'd vote Casa (with the Violet caveat).
Updated On: 5/31/14 at 10:34 AM