Ensemble1711444445 said: "
Merkin2 said: "Along with every other new musical ever apparently. Fall 2026 will certainly be busy with all these limited engagement plays we’re getting this spring."
"Galileo got pretty good reviews and word of mouth out-of-town. It was received much better than Great Gatsby was at Paper Mill, for example, which is still running.
But everything is always so doom and gloom with you, so I’m not surprised.
God forbid we talk about the realities of the business and why some shows are booked over others despite questionable out of town results. While I liked Gatsby enough, itis a financial model no one should aim for. It has massive money behind it -you are making my point. Creative strengths and sound business models (See Buena Vista) are not the standard by which shows are chosen. But yes by all means let's not discuss it and insteadhave another 10 pages of discussion on Matthew Morrison's dimples.
"It’s clear you have very strong feelings about what you think is worthy of transferring to Broadway, so I encourage you to become a producer.
I’m going to continue to root for Broadway to survive, and in order for that to happen, we’re going to need the Great Gatsbys, Aladdins, Mean Girls, etc. because tourism is good for the business.
It may be an unpopular opinion, but shows are allowed to be fun and escapism. Not every musical needs to be a universally acclaimed masterpiece. We don’t hold films to that standard, so it comes off as negative when you talk badly about every single out of town tryout.
If your comments were additive to the conversation, I’d have no problem. But every week, you talk about how Broadway is gonna fail. And you’re entitled to your opinion, but at some point you have to ask yourself, does every thought need to be voiced?
There have been disaster musicals on Broadway. But every out-of-town tryout that has happened recently has not been a disaster.