Dave19 writes: Are you saying that the number of black people in anything MUST be higher than the actual population? Why is that?
Dave, you also said that the African-American population of the US is about 12%, so having one or two black people in a chorus of 20 is about right.
I don't know the percentage of people in the US who are persons of color, and I don't know how they divide up by ethnicity. However, your premise is full of fallacies, because the percentage of black people in the entire US population is not the point; instead, it's the percentage of black people among performers with the talent and credentials to try to break into Broadway. I suspect, but can't prove, that this percentage is significantly higher than 12% -- perhaps even 25 or 30 percent.
The reason I'm making this guess is that the performing arts have traditionally been a way for people who have experienced discrimination to try to make their mark. Look at the ownership of the major film studios when they first opened -- almost entirely Jewish. Also, until recently, advanced education was NOT the road to becoming a performer. If you're being kept out of colleges that prepare you for most industries, singing and dancing created an alternative route to success. Additionally, there are forms of music and dance that were born among African-Americans and that reflected their historical experiences, Ragtime and the blues being two of them. Because they've worked their way into mainstream culture, there is a need for people with those talents on Broadway, and many, if not most, of those people are black Americans. Finally, African-American churches have always heavily emphasized music, making congregants into future performers.
I therefore respectfully disagree with your premise that a chorus with two minority performers out of twenty is representative of the relevant population.
Audrey Liebross
Audrey, the Phantom Phanatic, who nonetheless would rather be Jean Valjean, who knew how to make lemonade out of lemons.