The set looks much like the set from, wait for it, White Christmas! Same layout of the farmhouse, barn, etc.
The thing with the book is so many of the issues could be cleaned up with a little attention, but seeing as this had an out of town already, I fear they aren't interested in making it any different than what was presented tonight.
For example, the problem with Louise singing the opening section of Shakin' the Blues Away could easily be solved by having one (or some) of Jim's dancer friends sing that opening stanza. The only people on stage are Jim, Louise and the dancers. Jim and the dancers have been touring the country for the past few years and could easily have been down South at a prayer revival. Louise is literally the only character on stage that shouldn't be singing these lyrics. So Jim is down in the dumps. One of the dancers says, remember that time we played Biloxi? Remember what they told us? "There's an old superstition, way down South..." and so forth. Then Louise can "catch the fever" and join in hilariously on a later chorus like a fish out of water, but still speaking the universal language of music.
Making the songs fit in a jukebox musical is always difficult, but with some effort they can make it work. So where was the effort tonight?
Marie: Don't be in such a hurry about that pretty little chippy in Frisco.
Tony: Eh, she's a no chip!
The show lacks freshness and imagination, and the corn is as high as a elephant's eye. The Irving Berlin songs are not well served, either by their arrangements, or by the way they are shoehorned into the plot. The design struck me as fairly chintzy.
Oh, well. At least it's not a dirgical, a lecture, or a screed. For that, we can be grateful.
Apologies for diverting the topic of the thread, but I have two Access10 tickets to sell for this Sunday's 2:00pm performance. I'm only looking to cover my loss, so $20 for the pair. Please PM me if you're interested!
neonlightsxo said: ""It's a true star making turn..."
Haven't seen Holiday Inn yet but you obviously didn't see Corbin as Usnavi. THAT was a star making turn.
And even better than his Usnavi, which I agree was wonderful, was his work in the Godspell revival- yes that revival! After liking his Usnavi so much I had to go back see Bleu when he replaced Hunter Parrish, and I was glad I did. He elevated the entire production and was loaded with charisma. It's a shame to see his first time on Broadway not as a replacement be in such a poorly written role.
Marie: Don't be in such a hurry about that pretty little chippy in Frisco.
Tony: Eh, she's a no chip!
I actually surprisingly liked this, and the audience was super into it, does it rehash some White Christmas storyline, yes, was there some technical issues, yes, but there are some great moments, i cant think of another show where there has been jump roping tap dancers
I'm shocked at some of the responses here to this, (Except from After Eight, who still has fond memories of taking his Great Grandkids to the films original premiere) since I honestly just had the best time at this show.
We enjoyed it . What I found fascinating was the amount of merchandise they were selling . They would put many long runs to shame. Maybe they have their eye on transferring before opening. No idea how it will fade critically. We enjoyed it and now we move on to something else.
I fully disagree with the negative comments here - I absolutely loved this production! I thought the dance was inspired and the story was completely joyful. Let us not forget, the film Holiday Inn came before White Christmas. And this show actually had very little Christmas in it. The little flubs and small things that didn't work were miniscule in my mind and I'm sure a lot of that will be fixed and changed during previews. But frankly, I wasn't even thinking about that, I was having a blast, as was the audience around me. And Corbin is a STAR! I will definitely be going back to see how it evolves.
Mr Roxy said: "Looked damned good for a first preview.
Agree completely, that it looked in very good shape for a first preview, despite a barely noticeable glitch or two. The cast was, for the most part, first rate, but the material (book) is so lackluster and the songs, so oddly used, that, I just couldn't wait for it to be over.
I'm always glad when folks like a show, even if I don't. FWIW, my companion was annoyed at me that I didn't like it, but even he was surprised by the empty seats after intermission.
And, I agree that Corbin Bleu
Agree completely, that it looked in very good shape for a first preview, despite a barely noticeable glitch or two. The cast was, for the most part first rate, but the material (book) is so lackluster, I just couldn't wait for it to be over.
I'm always glad when folks like a show, even if I don't. FWIW, my companion was annoyed at me that I didn't like it, but even he was surprised by the empty seats after intermission.
And, I agree that Corbin Bleu was a standout talent, but with no character to speak of and not much to work with, it only made me look forward to seeing him in something worthy of his talent, in the future.
Intermission right now and this show is WONDERDUL! The choreography, sets, and orchestra are all excellent. Haven't liked a show this much in a while...
OK, I almost passed up tickets for tonight because of the early reviews from last night, but boy I'm so happy I didn't! I really loved this show. Im the critical type that picks apart a show down to its threads and I didn't with this one. Every element worked perfectly for me. This is what White Christmas should have been.
The choreography is very reminiscent of 42nd St, but that's ok because it worked. Sure it's silly, frothy, and fluffy as a marshmallow, but I loved every minute of it. If you get the chance GO.