Starship wrote: "They should freshen it up. Maybe Cirque-ify it."
Starship, the Las Vegas version, which I actually enjoyed a lot, was somewhat "Cirque-ified." The multi-part chandelier, which did not fall till the end (more like in the movie) was amazing. I was heartbroken when the Las Vegas production closed.
The chandelier in the new tour doesn't move at all. I hope that the Broadway show does not decide to switch to the touring version -- the rising chandelier after "Gentlemen!" and the bang after the auction always gives me goosebumps.
Starship, I'm curious: What changes would you recommend to "cirque-ify" the show? The Phantom (actually a stunt double) hanging from a rafter over the audience in Las Vegas was quite impressive. Perhaps the angel could move over the audience, although, frankly, I'm not sure that would add to the story. One thing that might be useful would be to have the dummy look more like Christine, as in the movie, although it's hard to do because a live actor plays the dummy. (In the movie, they apparently just shot footage of Emmy Rossum as the dummy).
One thing I'd love to see would be for other versions of the story to run in the same theater, as a double-header: a matinee for the Yeston/Kopit version or Ken Hill's production, with the "standard" ALW show in the evening. Alas, that would never happen.
You alone can make my song take flight.