Count me amongst the show's enthusiastic supporters.
The construction is more 1930's style where the dialogue cues the songs, but the songs don't really advance the action tending to be laundry lists illustrations of what has just been discussed. But Harburg's lyrics are clever and witty, with wordplay that Sondheim would relish and the Burton Lane tunes are endlessly refreshing.
The book is a mix of social satire and Irish whimsicality. Being a fantasy piece, you are not expected to take it too seriously. It merely provides the framework for the songs.
The cast of this revival could hardly be bettered. Jackson is one of the the few contemporary Broadway singers who knows how to sing traditional Broadway melodies without any modern stylization. Kate Baldwin, Chris Fitzgerald and especially Terri White all have moments to shine. White's "Necessity" alone is worth the price of a ticket.
The show is performed on a unit set (which is what the script requires since most of the scenes take place in the Rainbow Valley Meeting Place) so those who demand every scene have its own unique set will be disappointed. For me scenery is there to serve the story and this set does that just fine. Great production values...simple magic effects that still delight.
In fact delightful is the perfect summation for this production.
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com