I was there tonight.
Sally, Lithgow is definitely going through the motions- to the contrary: he is quite committed. Now, that doesn't mean the show is any good, but the material is obviously very near and dear to him. Perhaps too much so that it will have little meaning to anyone else but his immediate family.
Each act is indeed only one story, with a brief prologue explaining why stories are important to him. These brief preambles are by far the best parts of the show. Would that the whole evening were these discussions I think I could be a worthwhile evening.
I absolutely hated "Haircut;" this barber is no Sweeney Todd. The entire story is a monologue for a barber in a small town given to a new customer that has just moved there. The barber is the town gossip and story just rambles on about all the citizens of the town. I thought it was a terrible story and it felt never ending. At the top of act two Lithgow even admitted that it wasn't his favorite story as a kid- not even close. So why the hell did he opt to tell it to us tonight!
Act two's story, "Uncle Fred Flits By" by PG Wodehouse is much better, but perhaps only by comparison. At least this one has a large cast of characters so Lithgow can do different voices and really physically inhabit the different people. Still, it goes on for a while and really I was over it by the end.
I chugged a coffee beforehand and was able to keep awake (use that as a pull quote), but I can't really recommend it.
Marie: Don't be in such a hurry about that pretty little chippy in Frisco.
Tony: Eh, she's a no chip!