That video is really funny. Personally, I enjoy crying (if it is appropriate). I know there is an old adage some people have expressed here RE: actors crying - but people cry, so I can't see why we wouldn't want actors to replicate this (often) important behaviour on stage. Examples of where I think crying has worked well: Marin Mazzie and Alice Ripley in next to normal, Bernadette Peters in A Little Night Music (Send in the Clowns) and Bernadette Peters in Sunday. The "And the Band was Playing" scene and overwhelmed entrance Bernadette did in Follies.
I suppose I can understand criticisms of when crying is used when it is unwarranted though. In particular, I still am conflicted about Bernadette's "Losing My Mind". Obviously the song is a heartfelt Ballad about unrequited love, but the song isn't a quiet introspective, intimate moment (cf. Send in the Clowns) and there comes a point where you want them just to sing the damn song and hit the damn notes. The Follies Variety interview had a pretty funny/honest take on it: "When those big ballads come along, we can’t tell whether Sally is struggling with her emotions or Peters is just struggling with the notes." LOL. That said, someone must have realised that her performance was not going to translate well to a recording because she actually sings a pretty straight/toned down performance on the cast recording
I'm not sure if PalJoey's comment RE: slowing down the tempo could reflect one criticism I heard about the tempo Bernadette sang some of the songs in FOLLIES on ATC (namely, In Buddy's Eyes). However, I will say one thing - without knowing the tempo they performed it in 1971 or why the OBC is so damn fast - the tempo at which Bernadette performed the song is a lot closer to what is written on the score than the OBC recording (if anything, Bernadette's tempo was still a little too fast!).
Also:

Give me claws and a hunch, just away from this bunch.
Updated On: 5/28/16 at 01:15 AM