Yeah, for years she's left out the "stay and hold me" part (time concerns?).
And how lame that she was accompanied by the muzak version of the song. She might as well have been singing it to herself in an elevator (larger audience?).
I'm afraid children the closest we'll ever get to seeing her sing the poop out of THE song is by watching the Tony clip and other "footage" from the original production. I realize that she can't afford to, but I think it would behoove her to rest the song for a while, get with a great coach, and learn it all over again. Of course one of her problems is that nobody can tell her anything, so I guess the coach thing is out of the question (and as I was saying, she needs to sing this song to pay the rent).
She says the song is so intense and deeply emotional, but sadly I don't get that from her more recent (years, actually) performances.

She is amazingly gifted, but tragically mannered these days. Her power and appreciation of voice and speech has always reminded me of a great classical actor. She crawls into vowels and punches consonants like no other (Barbara Jordan was a huge influence). But just as in Shakespeare, the text can take you but so far. She has SOOOOO much to draw from, and it seems like she leaves her testimony out of her performances. And she knows better, she grew up in the choich, we know when those riffs/runs/growls are real or fake. She needs to pick up a copy of Say Amen, Somebody and let Mother Willie Mae Ford Smith reeducate her.
I love Jennifer Holliday, I just want to see her do well!