Maybe I was being over-generous when I said that King Charles III is derivative. Its basic construct is not derivative of To Play The King nor is it similar; it is identical, namely that Prince Charles, when he becomes king, will not in good conscience be able to remain apolitical but will intervene in the affairs of government forcing the then Prime Minister to insist on his abdication and see the crown pass to William. Everything else is peripheral.
My comments are not designed to say whether this production is worth seeing but to counterbalance the over-praise lauded on the playwright who, had he been so clever, would have been able to think of an original contrivance. This play, like Enron and That Face, is severely over-rated and seems to be lauded by West End critics for want of something better to praise. One of the other disappointments of this play is that the playwright didn't even attempt to explore the issues relating to freedom of the press that exacerbate the constitutional crisis; a more skilled hand could have done so.
So it most definitely is a case of The Emperor's New Clothes, a comparison particularly valid not only in reference to its substance but to its subject as well. Wherever else that analogy has been used on this board I know not and do not care as I wasn't one of those using it.
"If King Charles III were such a rip-off, then were are the comments (and lawsuits) from Andrew Davies and Michael Dobbs?"
This is an irrelevant comment for a number of reasons not least of which is that the litigious cultures in the US and the UK are considerably different. But to answer to your question, they are probably in the same place as the lawsuits between Dobbs/Davies and the BBC, when the television adaption of Dobb's third novel tampered with its source, much to Dobbs dislike.
And as for the spoiler, ggersten, Google is not your friend - quoting Wikipedia just exposes the weakness of your defence. There is rather more I could say but I can't be bothered.
Updated On: 11/8/15 at 01:06 PM