I was there last night too. The gent I went with said he liked the Chicago version better. But then he liked The Pirate Queen in Chicago, but I digress...
I liked it, didn't love it. My biggest issue ended up being Wednesday's character - she starts the show in love and that ends up being the cue for a couple of pretty forgettable numbers, including a very generic I Want song that sounded cut and pasted from that Fiona number from Shrek ("I Know It's Today" I think?). Otherwise most of the numbers were clever, and will be great with some fine-tuning. And perhaps some heavy lyrical trimming on the act two numbers, where it was heavy with the more forgettable songs.
There is an almost criminal underuse of Terrence Mann and I think Bebe Neuwirth. I could watch Bebe walk around the stage wiggling in her Morticia costume all day, but I wish they could work out a way to get her dancing more. You can't have Bebe on a stage and not have get some dancing in.
Otherwise they did a great job of bringing out the quirks of the characters, and the audience ate it up. So did I, and could give a crap if it was a free ticket. The casting was stellar all the way around, doing a great job of landing the laughs and family bonding. The show looked great, costumes were fantastic (though I agree about Bebe's costume, but what can you do), choreography might need some spiffing up, especially the opening number.
Oh, and one last thing. Nathan Lane clearly has his grubby little mitts into the show. I hate to say there's too much Nathan, but there were a couple of points where the schtick got in the way of things. Of course it was hysterical, but it stopped the momentum at points. Maybe if they chopped a little of his points, we could enjoy everyone else a little more?
If the show might end up being a little more accessible than the Chicago version, at least it worked out to a pretty fun evening.
"Hey little girls, look at all the men in shiny shirts and no wives!" - Jackie Hoffman, Xanadu, 19 Feb 2008