I watched the DVD last night, the first time I'd seen it since it was broadcast on PBS 30 years ago. I can certainly hear what posters (especially our British friends) are talking about.
Like so many Americans, my knowledge of British dialects consists mostly of Eliza-Doolittle-before and -after, though I was once in Northumberland, where I couldn't understand a single word anybody said.
But after watching the DVD I am more convinced than ever that some sort of decision was made as to how much linguistic authenticity Americans would tolerate in what was already nearly an opera. Angela and (particularly) Ken Jennings use what sounds like a Cockney rhythm at times without doing the full-on Eliza-Doolittle-before. Angela drops an H here or there, but doesn't do so consistently. (I don't mean the actress is "inconsistent"; I just mean I can't figure out what "rule" she is following.)
Lovett does say "Cor" instead of "God", and that's written into the lyric. Maybe one of our British posters can tell us what that says about her dialect.
Sondheim does rhyme "marine/clean" and "tastes of wherever it's been", as the Brits are wont to do, but Angela pronounces "been" as if it rhymes with "tin".
In general (and to my ear), performers use slightly broader vowel sounds and British-like rhythms when speaking, but everyone reverts to what I think of as "operetta diction" when singing.
The system seems to have worked for American ears. As I and others wrote above, none of this ever occurred to me before it was brought up here.
Updated On: 8/25/12 at 08:42 PM