The Great Comet Twitter feed just highlighted the Broadway.com story quoting Howard Kagan saying Oak "graciously agreed to make room for Mandy's schedule and we sincerely hope he'll return to us this fall/winter." There may be a bit of damage control going on now. (For what it's worth, the responses are rather scathing, considering that it's the show's own Twitter account.)
But it's clear that Oak's return is far from certain. And he's not quoted in the story, not that he would say anything critical anyway.
Malloy is very enthusiastic about Patinkin. The show doesn't rely on a hint of romantic interest between Natasha and Pierre until the very end, so that might be a little less creepy. But he's still much too old for the part.
The show is clearly going to rely on a whole lot of stunt casting going forward. (Patinkin is a Broadway vet, so it's not stunt casting in the classic sense, but he's only there for three weeks, probably can't play the instruments, and isn't age-appropriate. So it feels like a stunt to me.)
I'm glad I saw the show when I did, with a cast of unknowns (to me) along with Groban, who knew their roles so well.
Updated On: 7/26/17 at 03:10 PM