again, you both are applying your own definitions of "unprepared". It's an assumption to argue that Moore might need prompting on every line, that she is incapable of any memorization, etcetera.
The point about Jackman was that he did, probably, learn the piano parts and put them in when the show was settled, evolving from miming (however skillfully). Moore might have learned all the lines once they were tinkered with, and given up the earpiece when she was ready...her "preparedness" and "professionalism" relative to the challenge at hand specifically and her own skills to meet it.
If the CHICAGO choregraphy is dumbed-down to meet a particular marquee name's skills, does that mean the person is "unprepared" and "unprofessional"? all kinds of adjustments are made, in both rehearsing and performing, using all kinds of technology, which is where the body mic example came from. Linda Ronstadt supposedly had her high notes in PIRATES, if not BOHEME (the first time, not the Baz one), mixed in from someone else's mic. Liza supposedly lip-synched high notes, or long held belted notes as she danced full-out, for THE ACT. Does that make the performances that result so false as to have you dismiss them?
i'd also like you both to note at no time in this discussion have i resorted to exclamation marks or personal attacks. i've never called either of you wrong---just suggested you might be dismissing a performer's potential on a pretty sketchy single point. i've tried to remain reasonable and not judgemental. Can you say the same? This is the last i'll post about this worn-out topic. We just have to agree to disagree.
Will: They don't give out awards for helping people be gay... unless you count the Tonys.
"I guarantee that we'll have tough
times. I guarantee that at some point
one or both of us will want to get out.
But I also guarantee that if I don't
ask you to be mine, I'll regret it for
the rest of my life..."
Updated On: 7/26/05 at 06:16 PM