Leading Actor Joined: 9/16/17
I've always loved how in Fosse's shows, every dancer gets their own bow. It happens in quick succession so it doesn't drag on forever. I think it's a really nice gesture that shows how much he valued each individual in his ensembles. If I remember correctly, they still do this in the current revival of Chicago, and the conductor announces everyone's name as they bow.
Broadway Legend Joined: 1/22/14
I love what they did with the scooters with Matilda.
By far the most interesting, exciting curtain call I ever saw was on Friday night, 7/27/18, when Carole King walked out on stage at Beautiful, surprising the cast and the audience, and proceeded to sing a chorus of "I Feel the Earth Move". I was crying, Melissa Benoist was crying, it was such a cool moment. And the show itself was fantastic. I'm still pinching myself that I got to be there for that. Best night I ever had on Broadway!
The Pippin revival curtain call was fun/clever when they added the sing along at the end. I think this was said but I will also add Billy Elliot!
Broadway Legend Joined: 10/18/17
^ I saw the Pippin revival tour as well. The No Time At All sing along was something I wasn’t expecting.
Leading Actor Joined: 1/9/18
BroadwayMan5 said: "^^ I was just gonna comment that I think School of Rock is really creative with their curtain call
One thing I strongly dislike is when everyone bows together with no individual or group bows. I understand why some shows do that but I always feel a little cheated because there are always some cast members I want to show more enthusiasm towards than others."
I’m actually the opposite. I far prefer a company now. I don’t enjoy a curtain call that feels as though it’s part of the show, when the story ends I just want to show my appreciation for the company with a swift few bows on their part and it be over. The final moments of the story are what I want to stay with me.
Patti Lupone walking off stage with someone's cell phone
Loopin’theloop said: "BroadwayMan5 said: "I’m actually the opposite. I far prefer a company now. I don’t enjoy a curtain call that feels as though it’s part of the show, when the story ends I just want to show my appreciation for the company with a swift few bows on their part and it be over. The final moments of the story are what I want to stay with me."
I feel exactly the same way. I really liked Moulin Rouge when I saw it a couple weeks ago, but the busy, long curtain call activities completely obliterated the melodromatic power of the final scene of the actual show. I was just counting the seconds for that nonsense to end. My favorite curtain calls were for Next to Normal.
Broadway Legend Joined: 10/18/17
I remember another one. It was the national tour of Dreamgirls back in 2010. The cast's faces were projected onto the LED screens as each member took his or her bow.
Broadway Legend Joined: 12/5/04
Boeng Boeng was fun.
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