#1
Posted: 8/5/10 at 2:44am
Well, I am actually not going to review it again. I will just say that Aaron Lazar was out and his understudy was fantastic and I enjoyed him better than Aaron himself, AND, Elaine Stricth was actually ALOT better, she forgot some lines but she was feeling a lot more comfortable in the show and made up for it with her smile or cute moments. She was alot better than the 1st time I saw her.
Ramona, Erin, Alexander and Leigh Ann stole the show again for me.
But this is NOT about my opinions. It's about my friend's and he wrote a review I might share with you guys since he doesn't post on this board:
NY Theatre - A Little Night Music Replacement Cast (Walter Kerr Theatre)Share. Tuesday at 11:04pm
So a little preface --- I saw this production in London and apart from a fantastic Henrik and a refreshing different and brilliant Charlotte was completely bored to tears.
I saw it in NY because I was curious to see Catherine Zeta-Jones and was slightly less bored, although I didn't care for Erin Davie or Hunter Ryan Herdlicka and couldn't see what the fuss with them was about.
Now here I am seeing it a third time, because I can't NOT see Bernadette Peters and Elaine Stritch in something. I read in a bunch of reviews that the rest of the cast 'upped their game' but I didn't notice any change in the other performances. The understudy for Magnus was totally boring. Anyway I have five thoughts to share below:
- I completely forgot how much I adored Leigh Ann Larkin's delivery of The Miller's Son. And I feel I may need to buy the recording just to hear it a few more times. Love her.
- I remember thinking Ramona Mallory was a poor man's excuse for Bernadette. And she is even more so when sharing the stage with her. However this generally worked as Frederick's fascination with the younger, prettier (stupider and more annoying) version of the love of his life made some whacked out sense.
- Elaine Stritch. I enjoyed her thoroughly, even though her memory for her lines was worse than Angela's - and she kind of reminded me of John McCain. Although she didn't fit the show at all.
- Bernadette Peters. Yes, her delivery of Send in the Clowns was worth seeing. The rest of the show she was enjoyable but completely overmugged everything, and didn't seem to fit the character at all.
So a little Stritch Peters music. I enjoyed myself far more than I did the first two times, however this was definitely not A Little Night Music. This puts me in a quandary because I tend to be of the opinion that the work comes first...but when a production is as excessively underdirected, and has more pauses than spoken word...sometimes its not so bad to have the stars chew the scenery.
That said if we DO finally get a 'best replacement' tony award this year and it goes to Bernadette (who got ROBBED for gypsy) instead of Marin (who was robbed several times), I will be a bit sick to my stomach.
-Greg-
Ramona, Erin, Alexander and Leigh Ann stole the show again for me.
But this is NOT about my opinions. It's about my friend's and he wrote a review I might share with you guys since he doesn't post on this board:
NY Theatre - A Little Night Music Replacement Cast (Walter Kerr Theatre)Share. Tuesday at 11:04pm
So a little preface --- I saw this production in London and apart from a fantastic Henrik and a refreshing different and brilliant Charlotte was completely bored to tears.
I saw it in NY because I was curious to see Catherine Zeta-Jones and was slightly less bored, although I didn't care for Erin Davie or Hunter Ryan Herdlicka and couldn't see what the fuss with them was about.
Now here I am seeing it a third time, because I can't NOT see Bernadette Peters and Elaine Stritch in something. I read in a bunch of reviews that the rest of the cast 'upped their game' but I didn't notice any change in the other performances. The understudy for Magnus was totally boring. Anyway I have five thoughts to share below:
- I completely forgot how much I adored Leigh Ann Larkin's delivery of The Miller's Son. And I feel I may need to buy the recording just to hear it a few more times. Love her.
- I remember thinking Ramona Mallory was a poor man's excuse for Bernadette. And she is even more so when sharing the stage with her. However this generally worked as Frederick's fascination with the younger, prettier (stupider and more annoying) version of the love of his life made some whacked out sense.
- Elaine Stritch. I enjoyed her thoroughly, even though her memory for her lines was worse than Angela's - and she kind of reminded me of John McCain. Although she didn't fit the show at all.
- Bernadette Peters. Yes, her delivery of Send in the Clowns was worth seeing. The rest of the show she was enjoyable but completely overmugged everything, and didn't seem to fit the character at all.
So a little Stritch Peters music. I enjoyed myself far more than I did the first two times, however this was definitely not A Little Night Music. This puts me in a quandary because I tend to be of the opinion that the work comes first...but when a production is as excessively underdirected, and has more pauses than spoken word...sometimes its not so bad to have the stars chew the scenery.
That said if we DO finally get a 'best replacement' tony award this year and it goes to Bernadette (who got ROBBED for gypsy) instead of Marin (who was robbed several times), I will be a bit sick to my stomach.
-Greg-
"People have their opinions and that doesn't mean that their opinions are wrong or right. I just take it with a grain of salt because opinions are like as*holes, everyone has one".
-Felicia Finley-
Updated On: 8/5/10 at 02:44 AM