The thing what a lot of people believe for some reason is that the Stratford reviews were really bad and they weren't.
I have all the reviews from stratford and 6 of the 11 reviews were positive and a lot of the negative were pissed of because the RSC was using subsidized fund's to mount a broadway musical.
I met Linzi about 7 years ago in a pub in London when we were both doing shows and we spoke about the show a lot and how much she enjoyed it but how shocked she was that changes were not made to the show before it went to broadway.
I don,t think the producer can be blamed for changes not being made that would be down to the director.However i do think Fredrich Kurtz was far to inexperienced to produce this show(his delay of opening night on Broadway therefore missing the tony cut off dates show that )
What is heartbreaking is that if anyone has heard the act 1 Workshop CD from 1984 the show was on the right track with realistic scenes set at school(tommy's poem was a song) ,Open your heart was led in by a choir on the radio singing it, and the scenes at Carrie's home were more realistic.
The act 1 finale also just had Carrie pin Margaret to the wall with the furniture in the room and causes the doors and windows to slam shut other than the bizare hands on fire on Broadway.
There is a great show in there waiting to get out
Namo i love u but we get it already....you don't like Madonna