joevitus said: " [...] a child isn't being sexualized and we're talking about one of the most insulated and pampered people on the planet"
The notion of child sexualization was brought into this thread by ColorTheHours048 in post #48. If there was any discussion of the play being about "sexualizing a child", it didn't happen here. FTR, they also used the phrase, "And again, for the millionth time [...]" as if the concept had been disputed here, repeatedly - which isn't true.
It's my opinion that Tannahill needs the audience to associate the George character of the play with the real-world Prince George in order for the play to have its most effective impact. I base my opinion from info contained in this article that I'm quoting, again... (It's been a thought-provoking article, for me).
"[...] the title is a question: can a prince be a faggot? Or, parsed more broadly, can queerness — filthy, controversial, truly countercultural queerness — ever really co-exist with respectability politics?"
Given that it's been established the play's inspiration was the 2017 photo of Prince George, and the speculation generated by it (see here: Prince George 'gay icon' article branded 'sick'
, I believe that Tannahill's imaginings would be less impactful had his "George" been replaced with another prince (i.e., Harry or William, or even a completely fictional one). Maybe you disagree?
To be clear, I'm NOT implying that the real-life Prince George is being sexualized. My opinion is that Tannahill is unfairly using the real-life events surrounding a real-life minor child to emphasize the views he wants to express in his play, He's doing this without consideration of the possible consequences of his imagined future to/for the real-life minor.
Updated On: 12/3/25 at 12:25 PM