kdogg36 said: "The point I'm making is that the phrase "prince faggot" is now associated with this real child in the public consciousness [...] lots of people who haven't seen it now associate this horrible phrase with an actual person."
IMO, Jordan Tannahill completely negated any possible, laudable aspects of the play by creating an association to an underaged, minor child.
For as long as the play remains in the public zeitgeist, that minor child will have to contend with all of the characteristics and behaviors that have been unsolicited, and undeservedly linked to him by the playwright.
I find that to be unconscionable behavior by Jordan Tannahill. Actually, I think he's an a$$h*le.
Tannahill has written in some dialogue for self-protection. “'Yes, there’s a real child named George,' one performer says in the show’s opening moments. 'But obviously this is not his story, only he can write that for himself. This is our story.'” (source of quote: Prince Faggot delivers a royal reality check)
Does Tannahill not realize that by writing that "disclaimer" into the show, he's actually confirmed his intention to create a direct link between his play's character and the "real child named George"?
I don't find any of the graphic dialogue, subject matter, or depictions contained in Tannahill's play to be offensive. I find the playwrite himself to be disgusting and lacking a moral compass when it comes to behaving like an adult, socially-aware human being.