#1
Posted: 6/2/10 at 3:18pm
I am in the process of taking the cast lists from Playbills and inputting them into an online database (for work, don't ask). These are from specific performance dates, so some Playbills have understudy slips. As required by AEA, when an understudy or standby goes on, there must be a slip inserted into the program, and also either posted on the board in the lobby or have an announcement be made.
However, I noticed that the Swing who would take on the missing ensemble track is NOT listed. Is this not, too, required by Equity?
For example, on January 17, 2004 at the 2:00PM performance of AIDA, Chuck Saculla (normally in the Ensemble) went on for Cheyenne Jackson in the role of Radames. This means that one of the Swings must take on Saculla's ensemble track, however there is no notation of which of the two male swings did so.
I at first thought this to be a mistake, however I have encountered the same problem with other shows' understudy slips.
Is it that Equity does not require to give the audience notice when a Swing goes on? Or is it that signage was posted in the lobby and no slip is required?
However, I noticed that the Swing who would take on the missing ensemble track is NOT listed. Is this not, too, required by Equity?
For example, on January 17, 2004 at the 2:00PM performance of AIDA, Chuck Saculla (normally in the Ensemble) went on for Cheyenne Jackson in the role of Radames. This means that one of the Swings must take on Saculla's ensemble track, however there is no notation of which of the two male swings did so.
I at first thought this to be a mistake, however I have encountered the same problem with other shows' understudy slips.
Is it that Equity does not require to give the audience notice when a Swing goes on? Or is it that signage was posted in the lobby and no slip is required?
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
--Aristotle