These were all good evenings in the theater, but some of them were controversial--some folks loved it, some folks hated it.
I'm curious about those "perfect" revivals that come along and charm everyone.
The 2000 Kiss Me Kate was definitely that, so was the 1976 Candide.
The Angela Lansbury Gypsy counts, but not the Bernadette or Patti revivals, both of which had as many haters as lovers. (You probably know where I stand on those.) Same goes for the John Doyle instrument-in-hand revivals, which ya love or ya hate.
But I really think there's an approach that makes magic, that involves mixing respect for the original and everyone's expectations with taste and wisdom about what needs changing.