Bailee Endebrock was also on tonight, for the Nurse and others. I liked this show very much - it’s powerful at the right moments and timely too - yet it felt like something was lacking for some reason. Not such a big deal though in the end.
Arden’s direction was well worth his Tony - he brings out the best in every member of this big company. Pay attention to Watson and the Slatons up in the balconies during Leo’s trial!
I loved Platt but wasn’t really impressed by Diamond’s accent(s?). Sean Allan Krill, Paul Alexander Nolan, and Jay Armstrong Johnson are doing the best work of their Broadway careers. Alex Joseph Grayson nearly stops the show in each act.
I was won over by Mouton’s Riley and he had a solid rapport with Courtnee Carter.
I totally get what people are saying about the young soldier and his sound design. It greatly improved from those first couple minutes, but still, I thought Sweeney Todd had better sound design, at least from my seat. JMO.
Tom Murray conducted and told me JRB is out of town and prob won’t make it to closing. Shame - I thought team music was going to pull a Bridges and let him conduct his own score one more time.
That score is good enough, it’s got some highlights but a few clunkers too. “This Is Not Over Yet” received a mid-show ovation, which felt so great to be a part of. Also striking to compare that to the pin drop silence when Platt recited the sh’ma about a half hour later.
Stage door was packed tonight. Per usual, Platt and Diamond didn’t sign, they came out together and smiled and waved to us. I saw Grayson sneak out with his wife - met him last week, BTW, nice guy. Krill, Erin Rose Doyle (remember that name), Jake Pedersen, and a couple of the other factory girls signed. I think Howard McGillin signed? I saw him exit the theater but the crowd kinda blocked him after, and he never came my way.
Farewell, Parade. I miss you already.
“I am furious, but I am sailing.”
Updated On: 8/6/23 at 12:04 AM