Saw this again last night, after just having seen it Tuesday, and Jodie Comer's performance really is one for the ages that is a must-see of the highest order. It's a perfect marriage of actor and role, and, once again, she's a lock to win the Tony. However, I still think she's better than the play itself, which gets a little too message-y for me at the end. Don't get me wrong, it's a important message, but it feels a bit to me like preaching to the choir. Jodie's towering performance and the direction/music sell it, but I don't find it completely satisfying, and I didn't come close to tears either time. I understand that personal experience factors into how hard the material hits, though, so I'm glad many are connecting with it that way.
After sitting in an orchestra lottery seat Tuesday, I sat in my original $31 aisle seat in the rear mezzanine, which, for the price, was a damn great view. I brought my binoculars, though, and watched about 3/4 of the show through them. If you're sitting up there, I recommend it. I saw strong shades of Emma Thompson in Jodie this time, which I greatly enjoyed.
My final assessment:
A 5-star performance in a 5-star production of a 4-star play
I find it kind of preachy, and, even worse, preaching to the choir. In general, I think people know the prevalence of sexual assault, how difficult it is to prosecute, and how the victim is the one put o trial. So w
Updated On: 4/23/23 at 10:53 AM