I'll tell you a little story - as I've mentioned, I've had the tapes sitting here since last October, but we didn't actually start doing anything until about three months ago, at which point I actually went through each box - I had everything, the eight track edited session masters (from which the LP was mixed) and all the other eight track session tapes with all the other takes. And I had no idea how the thing was recorded and whether there'd be enough separation on the vocals to do what we needed to do for the pitch correction. Then I saw the Ryko digital remix tape, and that's when I first knew that they hadn't actually released the original album mix. By looking at those track sheets I saw the vocals were on a separate track, so I knew I was probably safe.
We then had everything transferred into Pro Tools. Then I said to my engineer, "Start with 'A Young Pretty Girl Like You' - if we can fix A. Larry Haines and Mr. Orbach in THAT song, then we can fix everything." So, he pitch-corrected that track, line by line and word by word, only doing notes that were off (the problem with using pitch correction is that you can't just turn it on and leave it on, like many do - that doesn't work), and I went over and listened - and burst into big stupid tears when I heard everything in that song on pitch for the first time ever. What a treat. And doing the rest was equally emotional because I love this show and score so much. Taking our time, moving the instrument placement in the sound field to get wider, more spacious sound and to give more clarity to things - all of it.
So, hearing people are enjoying it is making me REALLY happy! :)
Updated On: 7/2/10 at 07:00 PM