#26
Posted: 2/26/14 at 4:45pm
Not sure how anyone would come up with "Ever After", put Sherlock Holmes on that one...
Paper Mill Unveils 2014-15 Season with Broadway Bound CAN-CAN, US Premiere of THE HUNCHBACK OF NOTRE DAME, EVER AFTER & More — Page 2
#27
Posted: 2/26/14 at 5:14pm
Erin Dilly Fan, someone in the other thread actually did suggest Ever After. I believe every one of the shows announced was mentioned in the other thread before the announcement.
#28
Posted: 2/26/14 at 6:07pm
I'm just really curious as to how "big" Hunchback is going to be. Like design wise.
#29
Posted: 2/26/14 at 6:33pm
I've mentioned it before on here, the treatment I've read (and written by someone VERY close to Peter and the Starcatchers) has it very scaled down. Don't expect lavish sets and costumes. It's none of that.
Updated On: 2/26/14 at 06:33 PM
#30
Posted: 2/26/14 at 7:05pm
SO excited for Ever After!!!!!!!! FINALLY!!!!!!!!
#31
Posted: 2/26/14 at 9:03pm
They have a great season. I might actually attempt to catch all five shows. Makes up for the rather boring season they put out this year(2012-13).
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
#32
Posted: 3/27/14 at 8:39pm
I was reading the wikipedia entry for Der Glockner/Hunchback, which lists that Alexander Dodge is the set designer. After consulting his website (alexanderdodgedesign.com), I realized that he's already designed a production (a play adaptation?) of Hunchback in Canada. You can see some nice photos/set mockups on the site.
Is anyone willing to guess that this design is being modified for Papermill?
Is anyone willing to guess that this design is being modified for Papermill?
#33
Posted: 3/27/14 at 9:06pm
Ripped Man, I mean no judgement. I'm just curious. Many of your posts focus on how "big" a production is (ie Little Miss S, Hunchback, hand to God). Is this a determining factor in your enjoyment of a show or in your sense of whether the show will be commercially successful?
#34
Posted: 3/27/14 at 9:48pm
Anyone have any idea when they'll start selling tickets for Hunchback?
#35
Posted: 3/27/14 at 10:51pm
As an aging old-timer, I'm interested in the revival of Can-Can. The book was ALWAYS execrable, but the score, production and, especially, the choreography made it memorable. I'll keep my fingers crossed for the book revisions, but I also vividly remember what a mess they did with On A Clear Day in an effort to "improve" the book -- and it was far worse than the original, which was no great shakes to start with. Hope springs eternal, I guess.
BroadwayEd
#36
Posted: 3/28/14 at 12:35am
Is the HUNCHBACK timing to accomodate a TV/Actor from Broadway?
#37
Posted: 3/28/14 at 12:36pm
The Can Can revivial should be intriguing. Joel Fields who reworked the book is a really good writer!
“I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being.”
``oscar wilde``
#38
Posted: 3/28/14 at 2:04pm
Looks like Papermill is almost like an out of town tryout pre Broadway these days and it makes sense. They did Honeymoon in Vegas recently . Cheaper prices( for producers instead of renting a Broadway theater) nd a way to keep reviewers out of the theater until the show is ready.
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