TheatreRocks said: "I'm pretty sure he is not a flesh and blood man. It's in the name,THE PHANTOM of the opera. And a human man is not physically nor scientifically capable of the many things he does throughout the show. Disappearing in the chair at the end, the fire lazers, ect."
I suggest you read the source material; the title character is most definitely a flesh-and-blood man (in fact, he actually dies at the end of the Leroux novel).
In the musical, he sings "This face, which earned a mother's fear and loathing". Later, Madame Giry recounts to Raoul her discovery of the phantom at a traveling fair, as "a man locked in a cage, deformed since birth"; Raoul replies "So, our phantom's this man?"
As I stated earlier, he has simply been mythologized by those who are frightened of him.
==> this board is a nest of vipers <==
"Michael Riedel...The Perez Hilton of the New York Theatre scene"
- Craig Hepworth, What's On Stage
Updated On: 2/28/18 at 09:15 AM