I attended both the evening performance on the 24th and the matinee on the 26th. I had originally purchased mezzanine tickets for the 24th, but then learned on Monday afternoon that my husband's sweepstakes entry had been selected as a winner (they sure waited a long time to notify winners). I called the PR rep at the number in the notification email and she was very nice; she had Telecharge cancel and refund the tickets I had purchased and informed me that a pair of front row, right orchestra tickets would be waiting for us at the box office.
The ambiance at the Majestic on Wednesday evening was bristling with energy and excitement. The lobby was a mob scene, with people clamoring to get pictures and video of past stars (e.g., Howard McGillin, Rebecca Luker, Norm Lewis, et al.), along with Hal Prince, Cameron Mackintosh, and Andrew Lloyd Webber, all of whom were interviewed by Imogen Lloyd Webber and Sierra Boggess. The house staff had difficulty getting people to actually take their seats so that the show could begin.
I had seen Peter Joback at the 25th anniversary performance, so I knew what his voice was like. I feel that he's not quite powerful enough to meet the vocal demands of the role, but his acting choices are interesting and generally effective. Unfortunately, and perhaps due to nerves on such a momentous, glitterati-filled occasion, he didn't really deliver on the big notes in "Music of the Night" (i.e., "Close your eyes, let your spirit start to SOAR", "Let your soul take you where you long to BE", and the final "Help me make the music of the NIGHT" ). While the first two weren't sustained as long as they should've been, the latter was almost a complete miss. I believe he also came in too early on "Why So Silent...", and I felt bad for him when the candle failed to spark during the final lair, when he freed Raoul from the lasso.
The Friday matinee was marked by a very different atmosphere, a very different audience, and a much stronger performance by Mr. Joback (he hit all the notes in "Music of the Night" and managed respectable sustain). While Wednesday was very much about the media, the Friday matinee felt like an industry performance. The audience included a number of performers from other shows; I believe the entire company of Once on this Island was in attendance (except for Norm Lewis, who was at the Wednesday show), and all of the leads were interviewed on camera in the lobby before and after the first act.
==> this board is a nest of vipers <==
"Michael Riedel...The Perez Hilton of the New York Theatre scene"
- Craig Hepworth, What's On Stage
Updated On: 1/29/18 at 11:34 AM