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Philadelphia revival of SPRING AWAKENING set in a 50’s diner because shut up. — Page 2

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#26

Philadelphia revival of SPRING AWAKENING set in a 50?s diner because shut up.

Looks... interesting.

Is this Jim Hogan the same Jim Hogan who was in the Non-Equity tour last year?
"I'm seeing the LuPone in Key West later this week. I'm hoping for great vocals and some sort of insane breakdown..." - BenjaminNicholas2
#32

Philadelphia revival of SPRING AWAKENING set in a 50?s diner because shut up.

You know, I was about to be like, "someone please explain" about this. But then I gave it a second thought, and I think it could actually be kind of interesting. Certainly wouldn't fix anything about the show, but it could work well enough.
A work of art is an invitation to love.
#34

Philadelphia revival of SPRING AWAKENING set in a 50?s diner because shut up.

Jim Hogan was in the non-equity tour and he reads OLD. His love scenes with an actress who was a tiny, very young looking girl were UNCOMFORTABLE and WEIRD. His lack of youthfulness really dampened the power of the piece.

I think setting it in the 50s is cool, but could they dress the actors in period clothes. The costumes are AWFUL!

What does Melchior hit Wendla with? A fry basket?
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal "I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
#36

Philadelphia revival of SPRING AWAKENING set in a 50?s diner because shut up.

Mozart's Cosi Fan Tutte is superficially a romantic comedy of manners but in fact both the music and libretto are complex and ambiguous and deal with interpersonal relationships and sexual politics in sometimes disturbing ways.

In 1991 director Peter Sellars famously set the show in a roadside diner, a production later broadcast on PBS.

I don't think this director's concept is particularly original.

Updated On: 7/12/12 at 01:34 PM

#38

Philadelphia revival of SPRING AWAKENING set in a 50?s diner because shut up.

So I actually did see the show with my mom last night, and the setting works. They did not change any of the lyrics or script. The show was just set in that time period with costumes and sets. And to put some of your concerns to rest, they did not use of the ketchup bottles for surgical procedures.

I thought the change in setting made some of the issues even more clear. My mom (who is in her 60's) said that she had those same conversations with her mother not too long ago. I thought that was pretty interesting.

Most of all, the show is high quality and the actors are strong. I don't know much about this company, but it was different and interesting and definitely worth $20.
#39

Philadelphia revival of SPRING AWAKENING set in a 50?s diner because shut up.

It was a thrill to watch the audience at Preview last night leap to their feet in a standing ovations. What's wonderful about theatre is that is starts with a piece of literature. A director's job is to create. Being able to take a well known piece and conceptualize it in a different way is what makes a director an artist.
#40

Philadelphia revival of SPRING AWAKENING set in a 50?s diner because shut up.

But there's a difference between art and setting it in a 50's diner 'cause why the eff not? What works tonight won't work forever.


Formerly gvendo2005
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Updated On: 7/12/12 at 03:14 PM

#45

Philadelphia revival of SPRING AWAKENING set in a 50?s diner because shut up.

I was skeptical about the whole diner thing, too, but the setting really didn't impact the production at all...and the costumes (school uniforms) helped tie everything about the era together. It worked! I have seen SA too many times, and this unorthodox approach freshened it up for me. It's an interesting and very entertaining production, well worth seeing.
#46

Philadelphia revival of SPRING AWAKENING set in a 50?s diner because shut up.

Is this even an Equity production? Did they have legal permission to change the setting? These are the questions that BWW has taught me to ask. I think it looks cool, though, and since repressed kids singing rock and roll in the 1950s makes more sense to me than repressed kids singing rock and roll in the 18whatevers makes sense to me.
#47

Philadelphia revival of SPRING AWAKENING set in a 50?s diner because shut up.

At 20 bucks a ticket, I cannot imagine Equity has ANYTHING to do with it.

They could have gotten permission to change the setting. I would think Sater and Shiek would have been open to that.


I never understand why someone uses the word REVIVAL unless it is in NY, or planning/hoping a shot to do so. Unless THAT organization has done it before, theirs is not a revival.

I looked up the production compnay (link below). They are defintley NOT professional. (Which is fine, doesn't mean they can't do good work.)

They have a two show, summer season.
Mezeppa Prodcutions
If we're not having fun, then why are we doing it? These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.

Updated On: 7/13/12 at 06:31 AM

#48

Philadelphia revival of SPRING AWAKENING set in a 50?s diner because shut up.

In general it is not a violation of your license agreement to change the setting of a show, provided, of course, that you do not change any dialogue to reference the new setting. As long as you perform the text as is (which is what you are licensing) you are typically free to design the show however you feel fit to your space, budget, and concept.
#49

Philadelphia revival of SPRING AWAKENING set in a 50?s diner because shut up.

You are right. The contracts issued by MTI and Tans Witmark almost never require the show to be done as originally produced on Broadway. You just can't change the lyrics or the book. I don't know the show that well, but I didn't notice any changes at all. They certainly used the german names and didn't add any period references.

#50

Philadelphia revival of SPRING AWAKENING set in a 50?s diner because shut up.

Last summer I saw their production of Pippin and was VERY impressed. The cast was fantastic and they did some incredibly creative stuff. They definitely took some liberties and made the show their own, but they were very respectful to the source material.

I have tickets to see Spring Awakening and am a bit nervous, but I'm no doubt looking forward to it. It doesn't seem as secure in its setting as their production as Pippin did, but I'm more than willing to give them the benefit of the doubt due to how impressive Pippin was.

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