My scope is WIDE (Broadway, off-Broadway, regional, and London) so I’ll just stick to Broadway and mention others elsewhere:
Broadway:
- Best Musical: MAYBE HAPPY ENDING - I’m by no means one of the crazy superfans of this show (yet), but I have to admire the fact that this was an ORIGINAL work of pure artistry and everything gels into a beautiful and heartwarming package.
- Best Play: OH MARY - I’ll put this one here even though I saw it 10x at the Lortel and 6x (and counting) on Broadway. Pure genius. Nothing else to be said.
- Worst Musical: ONCE UPON A MATTRESS - I was bored out of my skull and thought that the amount of talent on stage was ridiculously wasted. I almost walked out at intermission.
- Worst Play: ROMEO & JULIET - I’m not listening to the Gen Z here. Even as someone still relatively young (30), I found this production to be overly chaotic, directionless, lacking focus, and some of the most pandering “modernization” I have ever seen of a classic work. Sam Gold should be ashamed that this got as far as it did.
Elsewhere:
Best Musical: NEXT TO NORMAL (London), CATS: THE JELLICLE BALL (off-Broadway), DEAD OUTLAW (off-Broadway), A STRANGE LOOP (Los Angeles), JELLY’S LAST JAM (NYCC)
Best Play: PEOPLE, PLACES & THINGS (West End), THE FIRES (off-Broadway), THE HOT WING KING (West End), TABLE 17 (off-Broadway), THE OTHER AMERICANS (Arena Stage, DC)
Worst Musical: A SIGN OF THE TIMES (off-Broadway), YOUR LIE IN APRIL (West End)
Worst Play: SH1T MEET FAN (off-Broadway), SOMETHING SPECTACULAR (off-Broadway),
Check out my eBay page for sales on Playbills!!
www.ebay.com/usr/missvirginiahamm
Updated On: 12/16/24 at 07:56 AM