The only video I've found of the show is really too dark to see 90% of it. I don't think any video could appropriately capture the effect of that massive cyclorama, the multi-turntables and that lighting carousel (which also projected images and dropped scrims and set pieces). The narrative style of the book is in memory and the staging of the musical was a stunning representation of a memory piece. To me, the "gloominess" was apt. It's a mostly gloomy story. The majority of her life in the book is filled with despair and disappointment. "Happiness" and "love" were mostly just fanciful notions reserved for fiction.
Obviously, I could talk about the show and the story endlessly. I may just have to listen to the score again this afternoon. And if you like Paul Gordon, see if you can snag a copy of the cast recording of Sense and Sensibility from the Shakespeare Theatre in Chicago. It still needs some work, but the score contains many beautiful gems. Wayne Wilcox continues to make me swoon in my seat, Sean Allan Krill simply steals your heart in precisely the way you wish to have it stolen (the video clip in the review below produces the same goosebumps I had when I saw the show and every time I listen to the recording) and Sharon Rietkerk continued her performance perfection, carried over from her Fiona in Brigadoon at the Goodman. The design was quite stunning as well.
http://www.chicagotribune.com/entertainment/theater/reviews/ct-sense-sensibility-review-20150430-story.html
More Paul Gordon, please. *sigh*
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
Updated On: 8/31/18 at 03:25 PM