Well, I'm all for it. We already have the beautiful taping of the OBC, so it's not like it's going to ruin the record of how good the show is, and I bet they can do some really interesting casting.
And it'll be nice to see Marshall get away from the "Musical Numbers in their Heads" trope, since the material really doesn't lend itself to that. Plus people seem ok with accepting songs in fairy tale settings anyways.
Do we think the songs Sondheim originally wrote for the film adaptation are in play, or are even more new songs on the horizon?
Lapine is writing it so I have a little bit of faith. Hopefully, he won't come to Marshall's way of introducing songs to musicals where it's all in the characters' heads. It worked for Chicago (pretty much borrowing the concept from Kiss of the Spider Woman), not so much for Nine. Let the casting suggestions begin…
How do you Disney-fy Into the Woods? Isn't the whole point of Into the Woods that it's NOT a sugary version of the classic fairytales? I'm so confused by this choice.
God forgive them, for they know not what they are doing.
This will, of course, be an obscenity. Have they not learned from the horrors of CHICAGO and the monstrous NINE?
On the other hand, does this mean we'll be spared that remake/update of THE THIN MAN, with Johnny Depp? Or will Depp play the Baker in this latest misbegotten abortion in waiting?
Let this never happen. Please, let this never happen.
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Well, a lot of the elements in the Pirates movies are pretty dark. If they're willing to go pg-13 and not strive to make it like a normal Disney-style animated musical.
You people are forgetting that disney can do deep films. Not often but they can, let's give them and marshal a chance when we hear casting we can gripe.
I really think everyone should relax on the criticism. There are literally 0 details out so it's tough to criticize anything. Like a previous poster said, the stage version has already been filmed and saved for posterity. If anything, a well-made film generates appeal outside the theatre community, something Sondheim rarely has. If it's a hit, that could make a Broadway revival more likely.
That said, I do think it's a strange partnering for Disney since the show isn't really about fairy tales at all. I assume Disney understands that...
Scratch and claw for every day you're worth!
Make them drag you screaming from life, keep dreaming
You'll live forever here on earth.