Hmm. The difference is that while the three plays of
The Coast of Utopia or
The Norman Conquests can be viewed as standalone works, when put together, they represent a unified whole. That's not the case of this repertory, or of
Waiting for Godot and
No Man's Land either. They are just plays being staged together, in repertory, by a company. I'm just assuming here, but I imagine the two plays will be counted separately by awards, just as when
Much Ado and
Cyrano--playing in rep by the RSC--were counted as two standalone productions in 1985.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body