What concept staging? The Sam Mendes GYPSY was lackluster, lifeless, and without much of a concept. It was thoroughly disappointing. And my niece didn't like her only exposure to the show. So there.
>There's something to be said for the fact that Sam Mendes hasn't been on Broadway since that horrendous production.<
What about The Vertical Hour, which he directed?
And what hasn't been said much is that Laurents hampered or jettisoned just about every directorial idea that Mendes tried to incorporate into the 2003 production.
Begin at the beginning and go on till you come to the end: then stop.
ME NO LIKE CHANGE ME WANT LAURENTS TO DIRECT GYPSY EXACTLY WAY 1959 PRODUCTION WAS DONE ME NO WANT TO SEE ESTABLISHED DIRECTORS TRY NEW IDEAS AND NEW TAKES ON CLASSIC WORKS
Kudos to Mendes for that clever bit having Dainty June whip-out that cigarette and light it after the Miss Cratchitt scene. Seeing her smoking that cigarette in that Dainty June get-up was a visual that spoke volumes about that character.
Gypsy closed May 30, 2004 and her husband died in a helicopter crash September 26, 2005. I believe she had quite a few concerts scheduled, which she cancelled (obviously).
"Gypsy closed May 30, 2004 and her husband died in a helicopter crash September 26, 2005. I believe she had quite a few concerts scheduled, which she cancelled (obviously)."
I read on this very forum that she still went ahead with some of the shows. (Although never mentioned it during)
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
I think everything about the Mendes production was brilliant. The current production is like community theatre compared to that one, in my opinion. I guess people don't like subtlety and prefer stuff that's blatantly in your face. That goes for the performances and the production itself.
I guess people don't like subtlety and prefer stuff that's blatantly in your face.
Clearly when you mention subtlety you're referring to the minimal, character-focused Laurents production, and when you mention blatantly in you face you're referring to the overblown Mendes production.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
you do know Sam Mendes was interested in Patti for his production, don't you?
and Elphaba3, you really need to get a new argument other then preferring subtlety. you've trotted it out a few too many times.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad