Me too, pupscotch. I really enjoyed this musical a lot, and to see such wonderful and legendary talent on that stage was a real treat. It's nice to see it getting some love at least.
I concur with the sentiment of Sondheim that you've referenced, and maybe that's why I haven't been as hard on this musical as many have been with regard to the second act.
I've seen very few shows where the second act overpowers the first. First acts are often flashy as the story is set up for the audience, and it's often followed by a second act that takes on more mellow, often contemplative tone as resolutions in the story are reached.
Now obviously this isn't the case for all musicals, but it is for many. So while many have slammed this musical for its second act on here, I was a little more forgiving, I guess. Because I've seen it happen before, plenty of times. And with a musical that is so on fire like this one throughout act one, the second act will maybe come off a little more understated than some would like be it in the storyline, or whatever. You've seen pure amazement through act one, you want it to continue.
As for the Deadline review that knocks the choreography though? Sorry, he lost me as soon as he said that, and it made me highly suspect of everything else he said at that point. The choreography in this show is among the best I've seen. There is indeed A LOT of it, but it is just so amazing I enjoyed every second of it.
pupscotch said: "That seems to be the consensus on this board as well. I remember Sondheim's book saying that most musicals had a fantastic act One, because they poured all of their energy into fixing that, and not on Act Two. That must have been what happened here. I also think it probably should have had a tryout, but I think it's a great musical and hope it does well!
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