Nothing major to add here except that Leslie Kritzer should be Mary Roberts.
Why should Broadway get it first? The West End is on the same level of performances as is seen in New York.
Actually, in London at the moment there is alot more variety of what to see than what is on Broadway.
It has always been cheaper to mount show in London that in New York, so I think of the London run as a very long tryout.
Not many have seen this show from their comments on here esp the mislead original poster!
Broadway Legend Joined: 6/1/08
Having seen the show in London the set and the performances are not the weak aspect!
Im not saying the show doesnt need work, the score and book are hit and miss, but if you havent actually seen it it seems unfair to talk about changes
I guess with most the posters from the West End board who's actually SEEN the show and either liked it or loved it are all supporting it... it pretty much shows that it doesn't really need huge changes to go across the pond!
Does anyone know how well it's selling?
Aparently well on weekends and ok through the weeks. It is in one of the biggest theatres in London though, and has good word of mouth.
Its selling well but not outstanding
Its hard to get tickets on weekends except right at the back but weekdays seem to have a quite a good few seats available, i think discounts are available from some places to for weekdays
The Palladium does however hold 2,286 so thats a lot of seats to fill
Leading Actor Joined: 7/21/09
Rachel Dratch as Mary Lazerous!
Has this show set a date to come to NY?
Leading Actor Joined: 7/21/09
I want to say March 2010.
Everything I've heard has indicated an October 2010 transfer for next season.
Swing Joined: 5/10/09
As a humble Brit........Cloris Leachman as Lazarus!!!!!!
And of the Brit cast, Patina obviously, but she's american anyway.........what about Claire Greenway as Sr Mary Pat?
So it's selling well enough that it is breaking even and could come to Broadway and sell really well?
Why not NINE TO FIVE 2? I mean if we're really gonna go this middlebrow...
^Have you even seen Sister Act? It is actually a very good show.
and actually, the sales have gone right up - the last two weeks have been almost full. It dipped during the heatwave, but I'm sure every show did.
Keep:
Take Me to Heaven
Fabulous, Baby! (best song in the score)
Do the Sacred Mass
Raise Your Voice
Fabulous, Baby! reprise
The Life I Never Led
Sister Act
Spred the Love
Adjust:
Here Within These Walls
How I Got My Calling
When I Find My Baby
Sunday Morning Fever
Bless Our Show
Cut and/or Replace:
I Could Be That Guy
Lady in the Black Dress
All reprises except Fabulous, Baby!
And it'd be criminal to replace Patina Miller. She has a fabulous voice that fits the music perfectly.
Miller is absolutely phenomenal. The creative team couldn't be any happier with her, so she'll certainly be making the move with the show to Broadway.
BobbyBubbly, "I Could Be That Guy" and "Lady in the Long Black Dress" work much better both visually (the sight gags are what make them score) and in the hands of better performers, as they did in the U.S.
I'm sure those numbers will go over well with new actors in New York, though they both already elicit strong responses in London.
I'd also like Deloris to have a big uptempo at the end.
Yeah, the supporting London cast sounds pretty lackluster. I'm sure their NY counterparts will be superior.
The over-amplified sound of the OLCR also doesn't do the score any favors.
Leading Actor Joined: 7/21/09
'Here Within These Walls' sounds like something from Grey Gardens.
Broadway Legend Joined: 3/28/09
I actually like this score. It's nothing revolutionary, but it's cute enough. And I agree that Fabulous, Baby! is the best song in it. Patina sings the hell out of this whole score, and she is clearly the best part about it.
And I think I have heard around here that it may have opened in the West End so it would avoid having to die a possibly horrible, quick death on Broadway. And, as seen by Brantley's short, scathing review, it might have done just that. It can run a while in London, then go to Broadway with some experience under its belt.
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