Some fuller thoughts on last night:
I spent most of the afternoon outside the theater, and did press hits for a dozen media outlets-got on at least three new broadcasts last night, and have a bit in the Times article/review this morning. As is standard, Springsteen fans who didn't have tickets for the show were out in force from 11am waiting to try and meet him as he went in. In standard fashion, the crowd was waiting the door nearest the Hayes, and they brought him in the door nearest John's Pizza, using the protestors to mask his entrance.
The protestors were expected from just about everyone involved at the venue and did nothing but bring a bit more excitement to the proceedings. The same folks were at the Foo Fighters concert at the Garden last weeks and will be anywhere the media is expected to be over the next few months.
Once inside the venue, it was just like any other night at the St. James. Normal bar sales, normal merch-a few different T-shirts, tank top, hoodie, and two posters new for the 2021/St James run, and the tote bag and hat from the first run. Playbills as they always have been.
For being the first night back, it was surprisingly low key-no speeches, only a couple of references to the fact of this being the first night back. Steve Van Zandt from the E-Street Band got a standing ovation when he walked in, as did Springsteen when he got on stage.
As stated below, Bruce did tell the crowd to not applaud every line-while strange to hear at first, it did actually help the show to flow like a normal show. I'll note that I didn't catch this the first time, and haven't watched the Netflix taping, but he is a talented storyteller, even though the Playbill credits do include a Teleprompter operator, and, as had been written online, a few songs have been swapped out, and he got more emotional at various bits than he would in the past.
It was clear that Jujamcyn was figuring out some of the process as they went along last night, and things will likely change through the run of this show, and for their early entries with Pass Over and Hadestown, and that the mainline re-opening for the industry is still being looked at as the September 14th Wicked/Hamilton/Lion King date.