I was there tonight; ALW and the director, Laurence Connor, gave a curtain speech informing us that despite several well-meaning attempts they hadn't successfully run the show from start to finish without stopping. If they made it through tonight we would be seeing the first complete performance along with the creative team. Well, the show didn't stop, although it did certifiably explode several times from the outrageous and wild bursts of talent and energy on the stage of the Winter Garden.
Oh, did I mention that I loved this show? Sure, there are a few issues with the book, the first ten minutes need some polishing and a subplot with a best friend and his beyond shrewish wife didn't quite tap into the humor it needed to (all problems that are easily fixable during previews), but the other 90% did work, often like gangbusters. The whole show filled me with such joy and happiness. I can't remember the last time I was this invested in the fate of a group of characters.
Alex Brightman is a fricking star and at this near-midway point in the season he's my favorite for the Best Actor Tony. I despise Jack Black in basically every role I've seen him in; frankly I was partly dreading seeing the show tonight in fear that Brightman would be directed to give a Black impersonation. Thankfully he is his own man: charming, lovable and a real loser you can root for.
And then there are the children, who are so phenomenally talent I can't even tell you. They each have richly individual roles and when the principal children sang the If Only You Would Listen (reprise) I lost it. They were like 20 little Daniel Breakers from Passing Strange, struggling with identity and only figuring out who to express themselves and be heard through art/music.
Sierra is having fun as the high strung principal and the adult chorus does a fine job too.
The score is catchy as hell. Instead of walking out of a show unable to hum a tune I walked out with 5 or 6 tunes competing for airtime. As soon as act one ended I turned to my friends, opened the Playbill and said, "PLEASE let there be a reprise of Stick It To The Man in act two." How often do pray for reprises nowadays? I just had to hear the song again.
Natasha Katz did great work with the lighting and Anna Louizos did both the costumes and set design with (gasp!) real set pieces and no projections!! Like, they actually built set pieces out of wood and metal and painted them and moved them around.
I highly recommend the show and wish it the very best.
Marie: Don't be in such a hurry about that pretty little chippy in Frisco.
Tony: Eh, she's a no chip!