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Seth Rudetsky's "Obsessed": Anne Runolfsson in "Victor/Victoria"

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#1

Seth Rudetsky's "Obsessed": Anne Runolfsson in "Victor/Victoria"

Oh my goodness, this woman has an amazing voice! She tells Seth a story about how she had to cover for Julie Andrews (mid-show) in "Victor/Victoria." At the very end, she holds an INcredible note. Would someone please describe it...it is UNreal!! (from Playbill.com)










Anne Runolfsson
"Noel [Coward] and I were in Paris once. Adjoining rooms, of course. One night, I felt mischievous, so I knocked on Noel's door, and he asked, 'Who is it?' I lowered my voice and said 'Hotel detective. Have you got a gentleman in your room?' He answered, 'Just a minute, I'll ask him.'" (Beatrice Lillie)

Updated On: 7/25/14 at 05:18 PM

#2

Seth Rudetsky's

What a fantastic 'Obsessed', that woman is A.MAZ.ING. Thanks for sharing. Love stories like that.
#3

Seth Rudetsky's

She has been missing from Broadway. Saw her in V/V when Julie was out and she was superb.
Poster Emeritus
#4

Seth Rudetsky's

Anne is incredibly talented and a wonderful person!

I saw a video of her singing a song from the Cyrano musical on youtube a while ago. I can't remember the title of it, and I haven't been able to find it on there since. Does anyone know what I'm talking about?
#5

Seth Rudetsky's

She is delightful!! How could they say no one heard Carlotta's last note in Prima Donna?! I used to work at Phantom when it first opened, and I used to watch that scene/song every time I was there. I was very well aware of that final note. I also remember her from Cyrano when she went by Anne Marie Runolfsson.
Hey Dottie! Did your colleagues enjoy the cake even though your cat decided to sit on it? ~GuyfromGermany
#6

Seth Rudetsky's

The last note she hits is a high F, one octave higher than her "belted" F (when Seth says "vocal damage" in jest) - it's not really belted - she has an incredibly healthy mix, which to the untrained ear is "a belt." The high F she does in good humor at the end is nothing difficult for a classically trained coloratura soprano, which she clearly is. She has an amazing 4 octave vocal range. Brava, indeed!
#7

Seth Rudetsky's

The last note she hits is a high F, one octave higher than her "belted" F (when Seth says "vocal damage" in jest) - it's not really belted - she has an incredibly healthy mix, which to the untrained ear is "a belt." The high F she does in good humor at the end is nothing difficult for a classically trained coloratura soprano, which she clearly is. She has an amazing 4 octave vocal range. Brava, indeed!
#8

Seth Rudetsky's

Believe that was the Dutch version of Cyrano that briefly played on Broadway years ago.
Poster Emeritus
#9

Seth Rudetsky's

She's very, very talented and a sweet lady. I have met her informally over the years and she's really nice. (I did see her as Carlotta-she was magnificent.)

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