Peters and Clark gave polar opposite performances. As has been said, it's important to make the distinction that Clark barely had a week of rehearsal, which makes what she was able to accomplish pretty impressive, in my opinion.
To me, Peters' performance is ultimately moving because of how
sorry you feel for her Sally by the end of the show. Contrarily, I found Clark to be totally arresting on every level because of how truly committed her Sally was to the disillusions that have destroyed her life. By the end of the show, you feel like Peters' Sally has finally come to terms with the fact that she has been lying to herself for all these years, where as you felt like Clark's Sally was
still in denial, even after everything that's happened. Both are equally tragic in different ways.
"Losing My Mind" is a perfect embodiment of the divergent approaches taken by both women- Peters allows you to see this woman completely and totally breaking down in front of you during the number, where as Clark's performance showed a woman who was so earnest in her belief in something so obviously artificial that it proved chilling to watch. I still remember how she slowly began to slur the final syllable of the song before re-composing herself and walking off into the wings with that vacant stare in her eyes. It was a completely chill-inducing moment.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
Updated On: 12/24/11 at 05:11 PM