So--who will replace Bernadette? — Page 7
Posted: 12/24/11 at 12:53pm
Posted: 12/24/11 at 12:53pm
Updated On: 12/24/11 at 12:53 PM
Posted: 12/24/11 at 3:37pm
Maybe memory is kind, but I thought Clark's portrayal was a bit more chilly but still impressive, especially given the little amount of rehearsal she had (I was pretty impressed that she even went to Phoenix to get into the role, what commitment!). I did prefer Murphy though, who--as Brantley and Reidel both said--gave a Tony-worthy performance.
Updated On: 12/24/11 at 03:37 PM
Posted: 12/24/11 at 4:05pm
Posted: 12/24/11 at 4:47pm
Posted: 12/24/11 at 5:11pm
To me, Peters' performance is ultimately moving because of how sorry you feel for her Sally by the end of the show. Contrarily, I found Clark to be totally arresting on every level because of how truly committed her Sally was to the disillusions that have destroyed her life. By the end of the show, you feel like Peters' Sally has finally come to terms with the fact that she has been lying to herself for all these years, where as you felt like Clark's Sally was still in denial, even after everything that's happened. Both are equally tragic in different ways.
"Losing My Mind" is a perfect embodiment of the divergent approaches taken by both women- Peters allows you to see this woman completely and totally breaking down in front of you during the number, where as Clark's performance showed a woman who was so earnest in her belief in something so obviously artificial that it proved chilling to watch. I still remember how she slowly began to slur the final syllable of the song before re-composing herself and walking off into the wings with that vacant stare in her eyes. It was a completely chill-inducing moment.
Tony Kushner: You can sing it at my funeral.
Updated On: 12/24/11 at 05:11 PM
Posted: 12/24/11 at 5:47pm
If your description of Clark's performance was in fact her intention (the discussion of her performance here suggests there is a fine line between starring blankly for dramatic effect and starring blankly because of little rehearsal) - that's such an interesting comparison about how they both approached the roles differently too. And it would make me excited for Clark to 'develop that' in LA (assuming she wouldn't be 'directed' to perform the role more in line with how Bernadette did). And to hear her sing the score...I really hope it happens now.
If filming of the Broadway production doesn't eventuate maybe they'd have a second chance in LA, which would also be nice :).
Updated On: 12/24/11 at 05:47 PM
Posted: 12/24/11 at 6:12pm
You know they're going to pull someone like Vallerie Bertinelli out of their a** for Sally and Lisa Kudrow for Phyllis.
We're talking about Los Angeles!
blocked: logan2, Diamonds3, Hamilton22
Posted: 12/24/11 at 7:00pm
Posted: 12/24/11 at 7:15pm
I'm speaking as a fellow "west coaster." I lived in Los Angeles for 23 years!
blocked: logan2, Diamonds3, Hamilton22
Posted: 12/25/11 at 5:09pm
Posted: 12/25/11 at 8:41pm
Posted: 12/25/11 at 9:03pm
Posted: 12/25/11 at 10:44pm
Lea has a lovely voice. An audio clip of her singing "Cabaret" is on YouTube and I think it's one of the best sung versions out there, IMO.
Y'never know. They might be interested if they were approached.
Posted: 12/25/11 at 10:49pm
Posted: 12/26/11 at 12:49am
Posted: 12/26/11 at 1:24am
Posted: 12/26/11 at 1:27am
Posted: 12/26/11 at 1:29am
Posted: 12/26/11 at 3:34am
Speaking of INTO THE WOODS- O'Malley was up against Emily Skinner for The Baker's Wife in that revival. Wouldn't a FOLLIES with Skinner as Phyllis opposite (a vocally healthier) Alice Ripley as Sally be divine? They're certainly getting pretty close to the right ages for it.
Tony Kushner: You can sing it at my funeral.
Updated On: 12/26/11 at 03:34 AM
Posted: 12/26/11 at 3:36am
Posted: 12/26/11 at 3:45am
Updated On: 12/26/11 at 03:45 AM
Posted: 12/26/11 at 4:06am
Given the type of raw screaming she was constantly doing in NEXT TO NORMAL, I'm not surprised she had trouble with the sections of the score that required a more legit sound over time. I'm guessing doing the tour was an incredibly profitable situation for her financially, but I'm still shocked she was willing to subject herself to another nine months of that material after how completely beaten down by it she seemed at the end of her run on Broadway. As you pointed out, she's really done a number on her voice over the last few years, which is a shame given what an incredible instrument she has. Here's hoping that she's using her time away from musicals (for the moment) as wisely as she can.
Tony Kushner: You can sing it at my funeral.
Updated On: 12/26/11 at 04:06 AM
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