Posted: 9/18/23 at 3:35pm
https://www.broadwayworld.com/article/Stage-Door-Behavior-The-Plays-20230918
Not sure if any of you had read this article, but while I did enjoy most of it - feel-good stage door stories are always nice to read - I did find myself taking umbrage with the last paragraph as it relates to the cast of “Jaja’s African Hair Braiding”
And then there is Jaja's African Hair Braiding. I’ve never seen anything quite like the stage door for this show. I tried multiple times, but each night the actors ignored the five to fifteen waiting fans in favor of friends/family. Now, I’ve been to stage doors in early previews before, and usually, there is a lot of greeting friends/family, but then people double back to the fans. In this case, the actors only signed when fans interrupted their conversations. I waited 40 minutes one night alongside fans just hoping the cast members would double back, but they didn’t. This will change—friends/family stop coming in large groups after early previews, so I expect they will be in a different mode in the coming days. I can only tell you what I saw.
I really don’t like the way this was written (or that it was written at all) since it directly contradicts the point made in the byline - Stars don't have to sign at the stage door, but many do. While yes, sometimes actors don’t signing at the stage door, writing a whole paragraph about the cast of a small play at MTC (made up entirely of women of color, mind you) seems to really perpetuate a sense of entitlement on the writer’s end and casts unfair aspersions/disrespects people who may just want to do their show and go.
I think BWW and the writer should maybe reconsider their approach to these types of editorials in the future. While I expect this type of writing from the average message board person, I expect a slightly higher standard from one of BWW’s journalists.
Discuss.