SarahNYC2 said: "I am really curious about the whole going to the stage door. I have been going to the theater since I was 4-so about 39 years!!!!!! I have never gone or wanted to go to the stage door. I just don't get it. I am truly not trying to start a fight or drama, I am just so intrigued by this.
Here's my thing, though usually I don't stage door. I have on occasion. I first did it with my mom about 20 years ago--we saw Zoe Caldwell in Masterclass and Christopher Plummer in Barrymore. And I distinctly remember urging my mom to wait at the stage door with me after the show, to glimpse them. Yes, people waited with playbills for signatures and pre-iphone cameras for pictures, but I didn't want any of that. I just wanted to "see". And I admit I have done it on occasion since then, most recently in the fall one day after A Color Purple performance. The reason? I just want to see.
How do I explain? I just love the theatrical magic that is created on the stage: the performance, the artifice. The suspension of belief. The idea that a twist here and there, some clothing and make up, some words, some lighting, and boom: the magic of the performer transfixes you and transports you. It's why I also love to see the performers take their bows: the artifice is usually gone. You see the person, the people, who did it. I love it. I guess it just makes the majesty and magic of it all more real to me. To see the performers responsible, walking and looking like us, mortal people. I don't need an autograph or a picture. Hell I don't even need to say anything. I know they are tired and happy to just go home and I am happy to let them.
I've stage doored occasionally over the years. I think the last time was TCP this fall. I've seen Notes From the Field, Dear Evan Hansen, The Great Comet, and Sunset Blvd since then but haven't stagedoored any of those. Not something I usually do but sometimes and who knows when timing will be right (usually needs to be good weather and a matinee, plus no rush /need to be home / elsewhere and either on my own or with a buddy who's into it also. Lots of things in play and could never predict when I am or am not going to do it!). Also, I need to be "REALLY TAKEN" by the performance. Perhaps I would have wanted to stagedoor Glen Close-she was magnificent, and Anna Deavere Smith, who was magnificent also. But I have seen these ladies up and about as mortals around NYC already in the last couple of decades, so I guess that made it less imperative!