Broadway Legend Joined: 5/27/14
Tony is about the only group on the planet that HASNT recognized Schwartz's talents...you may or may not like him and his work(subjective), but its almost silly to question his talent as a songwriter...(as recognized by other experts and organizations below)
3 Oscars: Pocahontas (lyrics by Schwartz) for Best Score and Best Song “Colors of the Wind”; The Prince of Egypt: Best Song “When You Believe”
4 Grammys: Godspell (2 – producer and composer), Pocahontas “Colors of the Wind”, Wicked (producer and songwriter for Best Musical Show Album)
4 Drama Desk Awards: Godspell (Most Promising Composer and Most Promising Lyricist); Working – Director; Wicked – Outstanding Lyrics.
Golden Globe Award: Pocahontas “Colors of the Wind” (2005)
2 Broadcast Film Critics Awards: Pocahontas “Colors of the Wind” (1995); The Prince of Egypt “When You Believe” (199
Songwriters Hall of Fame (2009)
Broadway Hall of Fame (2009)
Only songwriter in broadway history to have three shows that ran 1900+ performances, Wicked soon to be in top ten all time longest running shows
uh, the guy is doing someting right......
I feel like a lot of his shows, while I enjoy them, are more these days about what a director can do with them as opposed to the actual substance.
For example, darquegk once showed me a low-budget production concept for Wicked that would, at maximum, cost fifty dollars to stage at a community theater level. I'm not a big fan of the original material, spectacle or no spectacle, but somehow the anti-spendthrift approach and tiny cast size really gave it more impact. (If you think Wicked can't be pulled off without the flash and trash, you haven't read about that concept, I'm telling you.)
(Not the example you thought I'd share, eh, Namo?)
As the OPer, I'm pro-Schwartz, I was just curious of what everyone thought him getting his first Tony.
I think it is very obvious which songs Schwartz favors in any given score.
To be honest, when Wicked closes (which won't be for at least 10 more years), I'm pretty frightened for them to start licensing it to schools and community theaters. The end of act one would look treacherous at the community theater level...
Stephen has been laughing all the way to the bank about his lack of Tony wins. He clearly deserves one, and he's far from finished.
Anyone who wrote a song entitled, "Solid Silver Platform Shoes" is a-ok in my book!
Unless it's the 'fifty dollar Wicked,' mattporter17. I'm tellin' ya, this thing sizzles.
"Unless it's the 'fifty dollar Wicked,' mattporter17. I'm tellin' ya, this thing sizzles."
What are you saying?
Read my other post in this thread, then read yours about Wicked at the community theater level, then read mine. Then find out what I'm saying.
My favorite Schwartz show is "The Baker's Wife".
Love the music from Godspell and Pippin, but the shows (not his fault) aren't my cup of tea. That may change in 2 weeks when I see the national tour of Pippin. I have only seen David Sheehan's VHS movie and a college production.
Believe his best theater score is for The Baker's Wife
Leading Actor Joined: 11/21/10
I am so shocked that he hasn't won one. Seems like a travesty. He is one amazing composer and lyricist and I like everything I've heard by him (sans Personals). Godspell, Pippin, and Wicked have some of my favorite tunes by him. He has a gift of writing effortless songs that touch multiple generations. I can't wait to hear new music from him.
I think Stephen has a lot of hope for actually winning a tony with hunchback which should be transferring to Broadway, but is now halted. And Prince of Egypt where I assume that they'd want him to write the music since he did the same for the movie.
I would say Prince of Egypt is probably his best score, though it's a film and only a few songs they are so knockout. Gorgeous and tell the story amazingly.
I didn't mean to seem anti-WICKED. I like the OBCR very much and think "Loathing" is a brilliant and surprising way to conceptualize that emotion and moment.
But though I've played the recording dozens and dozens of times, it has never inspired me to actually attend the show.
I think with just a tiny re-write and trim, The Baker's Wife could be hugely popular. The London production was lovely and heart-breaking. Partly though, it needs spot-on casting of an older man and younger woman who you root for to stay together- not the easiest of relationships to get right on stage.
Where is the Warmth and If I Have to Live Alone are beautiful character songs.
Apparently Schwartz now favors the version that played the Papermill in 2005; it is now licensed by MTI. After much work, apparently he considers it finished. There have been many changes since the London version -- maybe it's worth giving it a look?
Broadway Legend Joined: 1/22/14
Why do some think it's such a shock (or almost a travesty) that he's never won a Tony? Look at the shows he lost to. Even if you would've picked Pippin over A Little Night Music; Godspell over Annie; The Magic Show over the nominees The Wiz/Shenandoah/Letter for Queen Victoria/The Lieutenant or the also non-nominated Mack & Mabel; Working over On the Twentieth Century; Rags over Les Miserables; or Wicked over Avenue Q (or Taboo and Caroline, or Change, which I thought were the two best scores that season), you can't say the other shows were ridiculous choices. He was just a victim of strong competition.
Updated On: 6/3/15 at 01:02 AMVideos