Better yet, if you have the money and the will to do it get your training individually (choose your own acting classes/dance classes/voice lessons etc.) to attend and pay for. Also get a job (possibly theatre related like an internship/dance asst. or some type of ushering/merch job in the theater).
Everyone is different. Everybody responds to specific types of training in a variety of ways. This is just a suggestion for people when college/conservatory is not an option or college has been tried and didn't fit. I did everything on my own my second year in the city and got SO much more out of it than I ever did at AMDA. Which I attended for a year. There are good and bad things about the school, but what college doesn't have problems?? (with maybe the exception of CCM) You can't believe what anyone says by word of mouth. Unless that person has gone to the school themself to experience it for what it is take whatever anyone says who hasn't been there with a grain of salt. PM me if you wanna know anything specific and I will tell you the truth.
I do agree though that the program is what you make of it and you do get out what you put in as a performer at the institution. The faculty there is great, but the administration (housing people/financial people/behind the scenes people etc.) suck.
And speaking of word of mouth, I was talking to a friend of mine the other day who informed me that he attended the NYU grad showcase for their MT program and mentioned that a majority of the performers in it were horrible.
"We need people not to come to Broadway shows wearing shorts and flip-flops. We are working hard up here folks. Find a pair of socks."-Joanna Gleason
"I hear L. Ron Hubbard is gonna blow the ladies...and all that jazz! C'mon babe! We're gonna unicorn hug, I bought some NyQuil down....at Wal-Mart?!"-Bebe Neuwirth singing ATJ to Musical Mad Libs at DQYNJ :)
Updated On: 8/29/08 at 12:03 AM