i’m sorry you’re the one that’s actually wrong and doesn’t actually understand how producing work
if this was a remount of a prior production the originating theater has to be publicly credit somewhere if you go on their website there is no crediting to roundabout
I figured this would probably be like the 2011 version, though I presume there might be a few small changes here and there. That revival was mostly the same as the 80s version, but it changed a few lines here and there and added a lot more dancing.
I wonder if they might rework the infamous final scene. It was already pushing it in 2011, I don’t think modern audience will go for it. I’m sure with a bit of tinkering they could fix it. And if they handled the Chinese characters in a more tasteful manner that would bring some good publicity to the revival.
As a big fan of the current version of Anything Goes, I also wouldn’t mind a few other changes, though I doubt they’d do anything major. But I feel like you could give Reno some more agency in the plot, the humorless Hope some actual jokes, and maybe change around Erma’s solo. Buddy Beware’s a decent song, but having a fairly inconsequential character sing the last solo right before the end always struck me as a bit odd.
I’ve always suspected that the next major Anything Goes rewrite might collapse Bonnie/Erma into Reno Sweeney and make her more complicit in the farcical action rather than peripheral to it. Erma feels a bit like “well, Reno is TECHNICALLY reformed so we need a Reno-like character who can be slutty and corrupt in her place.”
I recently saw a production that did some well-intentioned but probably unauthorized rewrites, playing Luke and John as Austrian hayseeds and making the final “disguises” scene a big parade of German stereotypes and accents instead of Orientalist ones. Was it legal? Probably not. Did it improve the last scene vastly? Absolutely.
I thought it was going to be a new production with Megan but when she got fired they just decided to remount the Roundabout production as that would be easier.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
Dolly80 said: "The set design is the same. The choreography and direction are the same. It’s the Roundabout production with new costumes and lighting.
Getting it yet?"
I’m sure it’s almost entirely the same, and I’m not saying they’ll do this, but I can still see them changing around the final scene given the many criticisms of racism, especially after the big push earlier this year against Asian hate. Anyway, there was no need for rudeness.
it is the same productionbar the costumes. This gives me the feeling that the show would make a good movie adaptation tbh"
I would love a movie version with Sutton, she would knock it out of the park. They can cast the other characters with big film names, but let us have Sutton.
NameGreg said: "Dolly80 said: "The set design is the same. The choreography and direction are the same. It’s the Roundabout production with new costumes and lighting.
Getting it yet?"
I’m sure it’s almost entirely the same, and I’m not saying they’ll do this, but I can still see them changing around the final scene given the many criticisms of racism, especially after the big push earlier this year against Asian hate. Anyway, there was no need for rudeness."
my reply was to Lightsout90 who patronisingly assumes I ‘don’t know how producing works’.
They clearly have missed the video that shows the same choreography as the Roundabout production. The set design which is the same (as visible on a few Instagram posts) and the same director and choreographer.
But sure, yeah, apart from that it’s a totally different production.
Also they clearly didn’t mount a different production after Megan left because there was a photo of the set being built in the UK before her departure was announced, and it was of the Broadway set being recreated.
Bettyboy72 said: "I thought it was going to be a new production with Megan but when she got fired they just decided to remount the Roundabout production as that would be easier. "
Yes they can scrap an entire production and build a whole new one at the very last minute.
I don't really like Sutton but I really enjoyed her in the 2011 Anything Goes revival and thought she commanded the stage, loved her singing and dancing - look forward to revisiting the show when I get a chance. I know what you mean about it coming across as a little vanilla in clips, I don't know why but I just loved her on stage. I do think it's hard for anyone to compare favourably to any Patti LuPone performance though because Patti is on a whole other level of performer with very few peers.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
I wouldn’t exactly object to a movie, cause the show is a favorite, but I’m not sure if this material really translates to the screen. Some of the musical numbers could be done cinematically, but a lot of the show is fairly theatrical, and I’m not entirely sure what big names they could get that would do the music and choreography justice.
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