I'd be surprised if BRING IT ON and A CHRISTMAS STORY aren't at least trying to put something together. With ACS' advertising and casting calls, they will definitely benefit from a performance. What number they do might depend on if they can get a kids' ensemble together. If they can't, I'd argue they should invite John Bolton (arguably the brightest spot of the main cast) to do "A Major Award", which is rehearsable for an adult ensemble behind him. ACS will be a staple of Regional theatres for years to come, all the exposure they can get should be money in the bank.
Lin-Manuel Miranda was tweeting the morning of the nominations about a BRING IT ON performance, though thoroughly tongue in cheek (and hilariously so), so it's at least known to be on their minds. I imagine the money would be there to promote their tour (and album, and eventual performance rights.)
Roundabout has never ponied up money for a closed performance, so DROOD not performing is (sadly) to be expected.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.