The King and I Revival — Page 2
Posted: 2/19/15 at 10:02am
Posted: 2/19/15 at 11:27am
I don't see how a theater lover could dislike Kelli O'Hara. While her fellow leading ladies Audra and Kristin have spent years on the other coast in network TV series that did not require any of their vocal skills, Ms. O'Hara has gone from one Broadway production to the next. Having established herself as a star in "Piazza" and "South Pacific," she has tried to stretch herself into comedy (Bells are Ringing and Nice Work), serious drama (Madison County), and comic opera (Merry Widow). She is more than just a voice; she is an actress.
As for this revival of The King and I, its biggest obstacle may be having to match the standard set by South Pacific. Ben Brantley in his review of the latter stated, "I know we're not supposed to expect perfection in this imperfect world, but I'm darned if I can find one serious flaw in this production."
Posted: 2/19/15 at 12:20pm
So, yeah, I'm very excited.
Posted: 2/19/15 at 1:01pm
Posted: 2/19/15 at 6:19pm
As much as I also want to see Kelli finally win a TONY, it seems that Kelli will become the Susan Lucci of the Tonys....The VISIT is supposed to be Chita's swan song to Broadway and almost every Tony voter will want to send her off with a statue...
Posted: 2/19/15 at 7:17pm
Updated On: 2/19/15 at 07:17 PM
Posted: 2/19/15 at 7:19pm
Posted: 2/21/15 at 1:10pm
Posted: 2/21/15 at 1:12pm
Posted: 2/21/15 at 1:42pm
You mentioned Bart's vision for this production. Can you share any more on that?
It's hard to say, other than the temperature of the palace. It's a lot different in this version. Bart's work is always so beautifully dense and rich and authentic. It's a take off of that style of musical theatre that makes it a little more real and grounded. Even the slightest things, like the physicality of them when they walk into the palace or bow to him... the temperature is turned up because of that atmosphere. It's very cool.
Posted: 2/21/15 at 3:42pm
Posted: 2/21/15 at 3:55pm
Posted: 2/21/15 at 9:31pm
It is written in the great Wikopedia, and I have read it elsewhere, that Lawrence's voice had a small range and she was often a bit flat (she never would have made it to Hollywood when Simon was a judge). So he wrote her songs with that in mind. I wonder if an actress without vocal limitations will take the songs to places that they have not previously visited?
Will they have the 29 piece orchestra of South Pacific again? I think that they must or the first impression of the audience will be a negative one.
Posted: 2/22/15 at 1:11am

bwayphreak234, I am very curious to see how they will stage several of the scenes and the scenic transitions. Does the Vivian Beaumont have a large backstage?
This visual will give you an idea
Updated On: 2/26/15 at 01:11 AM
Posted: 2/22/15 at 1:14am

^ Stage visual from South Pacific
Posted: 2/22/15 at 1:58am
If Bartlett Sher is ever interested in a future production of FOLLIES I think I will have a huge happy attack.
Posted: 2/22/15 at 2:15am
YES and a cast of over 50!
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JUST READ THIS:
While touring orchestration sizes remain a concern, the past few years have seen an encouraging return to original, large orchestras in revivals of classics on Broadway. For example, the revival of South Pacific at Lincoln Center Theater, which played sold out shows for two years (2008-2010) used a 29-piece orchestra, as does the upcoming revival of The King and I (March 2015).
Local 802 member Ted Sperling is music director for The King and I and was also music director for South Pacific. “It takes a certain size to sound like ‘an orchestra’!” he explains. “You need a critical mass of string players, for example. Otherwise it sounds more like a chamber group or a pop band. You get an incredible sense of joy and excitement from a big orchestra. Interestingly, a large orchestra can also be very sensitive to accompanying singers. With a string section, you can have 15 people playing and still hear every word.”
According to Sperling, the orchestra size should relate to the production as a whole, and be in scale with the number of cast members. Scaling down that equation will lead to compromises that could sacrifice sound quality.
Posted: 2/25/15 at 7:02am
Updated On: 2/25/15 at 07:02 AM
Posted: 2/25/15 at 9:56am
Posted: 2/25/15 at 10:37am
Posted: 2/25/15 at 10:45am
Posted: 2/25/15 at 10:46am
Posted: 2/25/15 at 10:47am
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