Sutton Ross said: "Wow, you laughed at your own comment twice. Adorable. Clearly, you don't know much about Broadway or the shows that were most anticipated for 2020. The Music Man and Flying Over Sunset were two of the most exciting and talked about shows that were happening. As I said in a different thread, if you have a problem with the lack of diversity for The Music Man, don't go, it won't make a dent in their sales, they don't care and they don't need your money. Barely anyone said a thing when the cast was announced.
no, but seriously, working in the industry: the only most vocally excited about The Music Man are the same white people who thought Hello Dolly was anything other than overkill glitterati nonsense. Flying Over Sunset has been written off, nobody cares that much.
And of course as other people have pointed out, Flying Over Sunset is based on real people. If you had bothered to do even one minute of research, you would know that.
All the more reason to not produce it. Adds nothing to the conversation.
And now after allthe conversation about equality and inclusion, they will really look tone deaf once Broadway opens back up.
Not all shows can have 95% diversity. Some shows will have 5% and others will have much higher. It's not a competition and will people go to shows that are good and that interest them. Flying Over Sunset is at Lincoln Center, most of their subscriber base are older white people. And, again, that's okay. Your incorrect logic and lack of knowledge on Broadway audiences are both painfully obvious here."
Broadway's history of pandering to wealthy white people is the reason a show like Flying Over Sunset will be produced. The reason The Music Man will be produced. I don't think there's any disillusion of how Broadway audiences work, there's simply a desire for them to stop being insufferable. The reality is that every show on Broadway, in fact, can be inclusive. It just doesn't want to be. Nor do the audiences. There's a reason it's called supremacy...